Stationery

Exhibition notecard for "Egon Schiele: Living Landscapes"October 17, 2024—January 13, 2025Egon Schiele (1890-1918)Stein on the Danube, Seen from the South (Large), 1913Wilted Sunflowers (Autumn sun II), 1914 1 notecard and envelope5.75 x 8.75 inches

Egon Schiele: Living Landscapes: Exhibition Notecard [Large Single Card]

Egon Schiele (1890-1918) Self-Portrait with Peacock Waistcoat, Standing, 1911

Egon Schiele: Self-Portrait with Peacock Waistcoat, Standing [Postcard]

Introducing our exquisite set of 8 Egon Schiele notecards, drawn from the Neue Galerie's own holdings as well as other esteemed collections. Each card showcases a timeless masterpiece by the renowned Austrian artist, capturing the essence of his provocative and emotionally charged canvases. Egon Schiele (1890-1918) is one of the most important figures in twentieth-century art. He is celebrated for his singular style of draftsmanship, unusual use of color, and physically raw, expressive style. These notecards are printed on high-quality cardstock with a matte finish, ensuring durability and a luxurious feel. They are blank inside, perfect for personal messages or for framing as miniature pieces of art. Images include:River Landscape with Two Trees, 1913Town among Greenery (The Old City III), 1917.Four Trees, 1917Yellow Town (detail), 1914Portrait of the Artist's Wife Edith Schiele, 1917-18Dr. Hugo Koller, 1918Current of Youth (Danaë), 1909Self-Portrait with Peacock Waistcoat, Standing, 1911 Notecard Box Set:16 square notecards and envelopes2 each of 8 images6 x 6 inches

Egon Schiele Notecard Set

LIMITED EDITION.The Neue Galerie New York is pleased to unveil its 2025 calendar, filled with masterworks by Egon Schiele. The illustrated paintings are drawn from the Neue Galerie’s own holdings as well as other esteemed collections. 12-month 2025 calendar featuring Egon Schiele masterpiecesSpiral bound, 7" x 14"

Egon Schiele 2025 Wall Calendar

LIMITED EDITION This is the very first museum collaboration with the famous Manhattan Diary. The Neue Galerie Manhattan Diary, produced by Gallery Leather, features endpapers with Viennese architect Josef Hoffmann's Adler pattern from 1910, gilded edges, metal protective corners, and a black full-grain leather binding debossed with our logo. For over 30 years, the Manhattan City Diary has been a must-have resource for everything New Yorkers need to know about the Big Apple. Featuring a wealth of city listings including restaurants, shops, art galleries, nightlife, 24-hour services, and emergency numbers. Packed with useful information like conversion charts, a vintage wine list, holidays, and more. For keeping up to date on your appointments, it offers a week-to-a-spread calendar layout. Full-color street maps to make navigating the city a breeze. MTA, Metro-North, LIRR, and NJ Transit maps ensure you will always be on the right track. Area and zip code maps assist you at all times. Other features: Book Bound 3.25" x 7" Contains week-to-a-spread calendar Over 3,000 Area-Specific Listings Full-color Street, Transit, and Vicinity Maps Black ribbon bookmark 112 Sheets/224 pages

Neue Galerie Manhattan Diary 2025

Paula Modersohn-Becker (1876-1907) Nude Girl with Flower Vases, 1906-07

Paula Modersohn Becker: Nude Girl with Flower Vases [Postcard]

Paula Modersohn-Becker (1876-1907) Standing and Kneeling Nude Girls in Front of Poppies II, 1906

Paula Modersohn-Becker: Standing and Kneeling Nude Girls in Front of Poppies II [Postcard]

Exhibition notecard for "Paula Modersohn-Becker: Ich bin Ich / I am Me"June 6 — September 9, 2024Paula Modersohn-Becker (1876-1907)Self-Portrait with Two Flowers in Her Raised Left Hand, 19071 notecard and envelope5.75 x 8.75 inches

Paula Modersohn-Becker: Ich bin Ich / I am Me Exhibition Notecard [Single Card]

A set of creature-themed cards featuring images from the Wiener Werkstätte. The Wiener Werkstätte, or Vienna Workshops, designed and produced a series of nearly one thousand postcards from 1911 to 1912 until the beginning of the First World War. The visionary artists and designers behind the movement valued the postcard as an ideal format for their own social and aesthetic program: to imbue objects of daily use with beauty and the elements of good design. In 2010, the Neue Galerie presented an exhibition of Wiener Werkstätte postcards generously donated by the Leonard A. Lauder Collection, and celebrated the exhibition with the publication Postcards from the Wiener Werkstätte: A Catalogue Raisonné. In this set, postcards have been formatted as greeting cards, but maintain the true spirit of the originals. Notecard Box Set:12 cards and envelopes2 each of 6 images5 x 7 inches

Wiener Werkstätte Creatures Notecard Set

Pepin Press’ Watercolour Postcard Books contain 16 cards made of the finest 250 gsm watercolor paper. The paper is acid-free, FSC-certified and quite thick to make the cards suitable for mailing. They are a joy to color with a wide range of techniques, such as watercolor, ink, color pencil, crayon, etc. All the coloring books match the quality the quality of the finest professional coloring pads. In order to get the best results, high-quality colouring materials are recommended. Paperback16 pagesPepin Press, 20244 x 6 inchesISBN 9789460096389Activity Book, Art Nouveau

Gustav Klimt: Watercolor Postcard Book

Pepin Press’ Watercolour Postcard Books contain 16 cards made of the finest 250 gsm watercolor paper. The paper is acid-free, FSC-certified and quite thick to make the cards suitable for mailing. They are a joy to color with a wide range of techniques, such as watercolor, ink, color pencil, crayon, etc. All the coloring books match the quality the quality of the finest professional coloring pads. In order to get the best results, high-quality colouring materials are recommended.Paperback16 pagesPepin Press, 20244 x 6 inchesISBN 9789460096341Activity Book, Post-Impressionism

Vincent Van Gogh: Watercolor Postcard Book

Heinrich Kühn (1866-1944)Anna with Mirror, 1902 1 blank card and envelope4.25 x 6 inches

Heinrich Kühn: Anna with Mirror, 1902 [Single Card]

Heinrich Kühn (1866-1944)Meadow with Trees, 1897 1 blank card and envelope4.25 x 6 inches

Heinrich Kühn: Meadow with Trees, 1897 [Single Card]

Heinrich Kühn (1866-1944)Still-Life with Fruit Bowl, 1909 1 blank card and envelope4.25 x 6 inches

Heinrich Kühn: Still-Life with Fruit Bowl, 1909 [Single Card]

Heinrich Kühn (1866-1944)Still-Life with Violets, 1908 1 blank card and envelope4.25 x 6 inches

Heinrich Kühn: Still-Life with Violets, 1908 [Single Card]

Heinrich Kühn (1866-1944)Study in Tonal Values III (Mary Warner), 1908 1 blank card and envelope4.25 x 6 inches

Heinrich Kühn: Study in Tonal Values III (Mary Warner), 1908 [Single Card]

Gustav Klimt (1862-1918)Pear Trees (Pear Tree), 1903 (later reworked)

Gustav Klimt: Pear Trees, 1903 [Postcard]

Gustav Klimt (1862-1918) Sunflower, 1907-08

Gustav Klimt: Sunflower, 1907-08 [Postcard]

Gustav Klimt (1862-1918)Poppy Field, 1907

Gustav Klimt: Poppy Field, 1907 [Postcard]

Gustav Klimt (1862-1918)Park at Kammer Castle, 19091 notecard and envelope5.75 x 8.75 inches

Gustav Klimt: Park at Kammer Castle, 1909 [Large Single Card]

Austrian painter Gustav Klimt (1862-1918) is renowned for his provocative allegories and for his sensuous portraits of women—commissions of the latter supported him financially for the last twenty years of his career. During the same period, he also devoted considerable energies to contemplative landscapes, which were undertaken during his Sommerfrische (summer holidays) spent in the region near Salzburg renowned for its lakes and alpine terrain. Although these paintings were created purely for Klimt's pleasure, they became among the most sought-after canvases by the artist. Contained in this boxed set are reproductions of six of Klimt's most important landscapes. Completed between 1900 and 1914, these pictures demonstrate the range of the artist's fascination with the locale. He focused on fruiting orchards and reflecting ponds, flowering gardens and blooming meadows, as well as distinct architectural structures situated in bucolic settings. This selection of verdant scenes has a universal appeal, capturing nature at the height of its beauty and affirming Klimt's unique artistic achievements. Images include:The Large Poplar I, 1900Avenue in the Park of Schloss Kammer, 1912Forester's House in Weissenbach II (Garden), 1914Park at Kammer Castle, 1909Sunflower, 1907-08Poppy Field, 1907 Notecard Box Set:12 square notecards and envelopes2 each of 6 images6 x 6 inches

Gustav Klimt Landscapes Notecard Set

Moriz Jung (1885-1915)Tête-à-Tête on the 968th Floor of a Skyscraper, 1911Wiener Werkstätte Postcard 340

Moriz Jung: Tête-à-Tête on the 968th Floor of a Skyscraper, 1911 [Postcard]

Gustav Marisch (1871-1961)Stylized Flowers, 1912Wiener Werkstätte Postcard 7821 notecard and envelope5.75 x 8.75 inches

Gustav Marisch: Stylized Flowers, 1912 [Large Single Card]

Gabriele Möschl-Lagus (1887-1939)Amor im Winter/Cupid in Winter, 1911Wiener Werkstätte Postcard 5471 notecard and envelope5.5 x 8.25 inches

Gabriele Möschl-Lagus: Amor im Winter, 1911 [Single Card, Small]

Anton Velim (1892-1954)Merry Christmas!, 1912Wiener Werkstätte Postcard 8741 card and envelope5 x 7 inches

Anton Velim: Merry Christmas!, 1912 [Single Card]

Artist Unknown (signed E.T.)St. Nicholas Card, 1912Wiener Werkstätte Postcard 9001 card and envelope5 x 7 inches

Artist Unknown (signed E.T.): St. Nicholas Card, 1912 [Single Card]

Arnold Nechansky (1888-1938)Merry Christmas, 1912Wiener Werkstätte Postcard 8371 card and envelope5 x 7 inches

Arnold Nechansky: Merry Christmas, 1912 [Single Card]

Carl Krenek (1880-1948)Christmas Card, 1912Wiener Werkstätte Postcard 6291 card and envelope5 x 7 inches

Carl Krenek: Christmas Card, 1912 [Single Card]

Gustav Klimt (1862-1918)Portrait of Gertha Loew, 1902 (detail) Matte laminate finish2.75” x 8.25”1 bookmark

Gertha Loew Bookmark

Austrian painter Gustav Klimt (1862-1918) is renowned for his provocative allegories, contemplative landscapes, and most of all for his sensuous portraits of women. Klimt himself expressed a special preoccupation with women above all other subjects. Included in this boxed set are reproductions of Klimt's most acclaimed female portraits. Klimt's style matured over the course of his career from ethereal and feminine depictions, to examples in his so-called "golden style," and to later works that show his fascination with color, decorative ornament and his admiration of Asian art. Painted between 1901 and 1918, these pictures capture how his sitters evolved from keepers of the domestic realm to modern women, who embraced life with greater agency and self-determination. Together, they convey a sense of Klimt's obsession with the allure and intrigue of women, and their appreciation of his ability to transform them into icons of feminine beauty and grace. Images include:Portrait of Adele Bloch-Bauer I (detail), 1907Portrait of Amalie Zuckerlandl (detail), 1917-18 (unfinished, and possibly started as early as 1913-14)Portrait of Elisabeth Lederer (detail), 1914-16The Black Feather Hat (detail), 1910The Dancer (detail), 1916-17 (unfinished)Portrait of Fritza Riedler (detail), 1906Portrait of Gertha Loew (detail), 1902Judith I (detail), 1901 Notecard Box Set:16 notecards and envelopes2 each of 8 images5 x 7 inches

Gustav Klimt Women Notecard Set

Max Beckmann: The Bark, 1926 [Postcard]

Max Beckmann: Carnival, 1920 [Postcard]

Max Beckmann (1884-1950) Self-Portrait on Yellow Ground with Cigarette, 1923

Max Beckmann: Self-Portrait on Yellow Ground with Cigarette, 1923 [Postcard]

Max Beckmann (1884-1950) Self-Portrait in front of Red Curtain, 1923

Max Beckmann: Self-Portrait in front of Red Curtain, 1923 [Postcard]

Exhibition notecard for "Max Beckmann: The Formative Years, 1915-1925"October 5, 2023—January 15, 2024Max Beckmann (1884-1950)Carnival, 19201 notecard and envelope5.75 x 8.75 inches

Max Beckmann: The Formative Years Exhibition Notecard [Large Single Card]

Spiral-bound notebook, featuring Jagdfalke (Hunting Falcon), 1910-11, block-printed textile and wallpaper design by Josef Hoffmann (1870-1956). 5¾ x 8½ in.60 unlined pages

Josef Hoffmann Bellflower Notebook

Spiral-bound notebook, featuring the Portrait of Adele Bloch-Bauer (1907) by Gustav Klimt 5¾ x 5¾ in.60 unlined pages

Square Adele Bloch-Bauer Notebook

Karl Schmidt-Rottluff (1884-1976) Landscape with House and Trees (Dangast before the Storm), 1910

Karl Schmidt-Rotluff: Landscape with House and Trees (Dangast before the Storm) [Postcard]

Gustav Klimt (1862-1918)The Black Feather Hat, 19101 notecard and envelope5.75 x 8.75 inches

Gustav Klimt: The Black Feather Hat Notecard, Large [Single Card]

The Wiener Werkstätte, or Vienna Workshops, designed and produced a series of nearly one thousand postcards from 1907 until the beginning of the First World War. The visionary artists and designers behind the movement valued the postcard as an ideal format for their own social and aesthetic program: to imbue objects of daily use with beauty and the elements of good design. In 2010, the Neue Galerie presented an exhibition of Wiener Werkstätte postcards generously donated by the Leonard A. Lauder Collection, and celebrated the exhibition with the publication Postcards from the Wiener Werkstätte: A Catalogue Raisonné. In this set, postcards have been formatted as greeting cards, but maintain the true spirit of the originals.Images include:Josef Divéky (1887-1951)Rocking Horse with Three Children, 1909Wiener Werkstätte Postcard 240ABertold Löffler (1874-1960)Easter Card, 1912Wiener Werkstätte Postcard 617Richard Teschner (1879-1948)Childhood Dreams: 4, Dangerous Voyage, 1911Wiener Werkstätte Postcard 335Adalberta Kiessewetter (1887-Unknown, after 1948)Dromedary Enclosure. Schönbrunn: In the Menagerie, 1912Wiener Werkstätte Postcard 663Anton Velim (1892-1954)Greeting Card, 1912Wiener Werkstätte Postcard 875AArtist Unknown, Signed ETGirl with Bouquet of Flowers, 1910Wiener Werkstätte Postcard 308Notecard Box Set:12 cards and envelopes2 each of 6 images4 ¾ x 6 ⅞ inches

Wiener Werkstätte Kinder Notecard Set

Embossed white notecard, with artwork adapted from designs for the Palais Stoclet dining room Frieze I, 1910-11, by Gustav Klimt. 1 blank card and envelope4 ¾ x 4 ¾ inches

Embossed Notecard [Single Card]

Basilius Besler (1561–1629) was a respected Nuremberg apothecary and botanist. He was curator of the garden of Johann Konrad von Gemmingen, prince bishop of Eichstätt in Bavaria. The renaissance-style garden was the first botanical garden in Germany, and the only outside of Italy at the time. Besler is best known for his monumental Hortus Eystettensis (Garden of Eichstätt), the earliest pictorial record of a specific garden and the oldest of all of the great botanicals. Over 1,000 varieties of flowers are depicted in 367 exquisitely engraved and colored plates, setting the standard for the great botanical folios of the following centuries. Six of the plates are reproduced here as greeting cards.Notecard Box Set:12 cards and envelopes2 each of 6 images4 ¾ x 6 ⅞ inches

Besler Botanicals Notecard Set

Gustav Klimt (1862-1918) Bewegtes Wasser/Moving Water, 1898 (reworked between 1899 and 1903)

Gustav Klimt: Moving Water, 1898 [Postcard]

Gabriele Möschl-Lagus: Amor im Winter, 1911 [Single Card, Large]

Heinrich Kühn (1866-1944)The Garden of the Kuehn Villa in Summer, 1908 1 blank card and envelope4.25 x 6 inches

Heinrich Kühn: The Garden of the Kuehn Villa in Summer, 1908 [Single Card]

Mela Koehler (1885-1960)Christmas Card, 1912Wiener Werkstätte Postcard 740A 1 blank card and envelope4 1/4 x 6 inches

Mela Koehler: Christmas Card, Fur Coat 1912 [Single Card]

Mela Koehler (1885-1960)Christmas Card, 1912Wiener Werkstätte Postcard 739B 1 blank card and envelope4 1/4 x 6 inches

Mela Koehler: "Fröhliche Weihnachten!" Christmas Card, 1912 [Single Card]

Mela Koehler (1885-1960)Christmas Card, 1912Wiener Werkstätte Postcard 736A 1 blank card and envelope4 1/4 x 6 inches

Mela Koehler: Christmas Card, Yellow Dress, 1912 [Single Card]

Carl Krenek (1880-1948)Houses in the Snow, 1912Wiener Werkstätte Postcard 9091 notecard and envelope5.75 x 8.75 inches

Carl Krenek: Houses in the Snow, 1912 [Large Single Card]

Images include: Portrait of Adele Bloch-Bauer I, 1907Portrait of Gertrud Loew, 1902The Dancer, 1916-17Pale Face, 1903Portrait of Ria Munk III, 1917 (unfinished)Portrait of Adele Bloch-Bauer I (detail), 1907 Notecard Box Set:18 cards and envelopes3 each of 6 images4 3/4 x 6 7/8 inches

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