The New York Times: "Review: The Darkness and Light of Edvard Munch’s Work"

Visit Oslo in midwinter and high summer and you’ll know the atmospheric sources of Edvard Munch’s art: barely broken darkness, and sunlight you can’t escape. Both are evoked in “Munch and Expressionism” at the Neue Galerie, where paintings and prints by Munch and his younger German contemporaries glow and flare like lamps against midnight-blue walls.  [read the article]