Focus: Oskar Kokoschka
Exhibition

Focus: Oskar Kokoschka

Jul 16 — Oct 5, 2009

In addition to his oil portraits, the exhibition included a selection of the artist’s drawings.

Oskar Kokoschka
Martha Hirsch (Dreaming Woman), 1909
Oil on canvas
Neue Galerie New York. Gift of the Serge and Vally Sabarsky Foundation, Inc.
Photo: Hulya Kolabas © Fondation Oskar Kokoschka / Artists Rights Society (ARS), New York / ProLitteris, Zürich

Oskar Kokoschka, Martha Hirsch (Dreaming Woman) (1909), Oil on canvas
Oskar Kokoschka, Martha Hirsch (Dreaming Woman) (1909), Oil on canvas

Oskar Kokoschka
Martha Hirsch (Dreaming Woman), 1909
Oil on canvas
Neue Galerie New York. Gift of the Serge and Vally Sabarsky Foundation, Inc.
Photo: Hulya Kolabas © Fondation Oskar Kokoschka / Artists Rights Society (ARS), New York / ProLitteris, Zürich

Oskar Kokoschka (1886–1980) was a key figure in the history of Expressionism, who first gained notice with his appearance in the seminal "Vienna Kunstschau" (Vienna Art Show) of 1908. Gustav Klimt, former president of the Vienna Secession, described the artist as “the outstanding talent among the younger generation.” “Focus: Oskar Kokoschka” presents eight portrait paintings and over 80 works on paper by the artist from the extended holdings of the Neue Galerie.

Kokoschka received his greatest acclaim for his portraits. He was able to fix his reactions to a sitter directly on the canvas, without preparatory studies. The subjects of his portraits are illuminated from within, rather than from an exterior light source. In this way, Kokoschka animates his sitters.

In a 1912 lecture he gave in Vienna, titled “Vom Bewusstsein der Gesichte” (On the Awareness of Visions), Kokoschka presented his most detailed comments on his approach to portraiture. The artist explained that the condition of the soul finds living expression in a face; he described trying to capture a state that “can be evoked but never defined” in his portraits. The history of a human being can never be fixed, he concluded, because it is “a part of life itself.” As the artist himself commented on another occasion, “Human beings are not still-lifes.”

In addition to his oil portraits, the exhibition includes a selection of the artist’s drawings. Graphic works that Kokoschka created for the Wiener Werkstätte (Vienna Workshops) demonstrate his swift passage from Jugendstil (Youth Style) to Expressionism, and from illustrator to artist.