Artists

Edited by Christian Bauer This book highlights the intimate relationship between landscape and portraiture in the work of the Austrian Expressionist artist Egon Schiele (1890-1918).Plants, natural environments, and townscapes determine the spaces Egon Schiele created in his paintings, and they also reflect the rich symbolism he employed that is centered around the human condition. In particular, plants are often endowed with an allegorical meaning. Flowers and trees assume the role of portrait subjects and convey an almost human appearance. Schiele’s landscapes always represent more than their apparent subject matter. His portrayal of nature and his rendering of towns and trees epitomize the life cycle and the human condition. This catalogue, accompanying a spectacular exhibition on view at the Neue Galerie New York, will investigate the importance of landscape in the artist’s work. The contributing authors are internationally distinguished experts on Schiele’s landscapes and representatives of museums and universities in Europe and the United States. Hardcover220 pagesPrestel, 20249.25 x 11.25 inchesISBN 9783791377483Egon Schiele, Neue Galerie Exhibition Catalogue

Egon Schiele: Living Landscapes Exhibition Catalogue

Introducing our exquisite set of 8 Egon Schiele notecards, drawn from the Neue Galerie's own holdings as well as other esteemed collections. Each card showcases a timeless masterpiece by the renowned Austrian artist, capturing the essence of his provocative and emotionally charged canvases. Egon Schiele (1890-1918) is one of the most important figures in twentieth-century art. He is celebrated for his singular style of draftsmanship, unusual use of color, and physically raw, expressive style. These notecards are printed on high-quality cardstock with a matte finish, ensuring durability and a luxurious feel. They are blank inside, perfect for personal messages or for framing as miniature pieces of art. Images include:River Landscape with Two Trees, 1913Town among Greenery (The Old City III), 1917.Four Trees, 1917Yellow Town (detail), 1914Portrait of the Artist's Wife Edith Schiele, 1917-18Dr. Hugo Koller, 1918Current of Youth (Danaë), 1909Self-Portrait with Peacock Waistcoat, Standing, 1911 Notecard Box Set:16 square notecards and envelopes2 each of 8 images6 x 6 inches

Egon Schiele Notecard Set

LIMITED EDITION Original Price: $48 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS This is the very first museum collaboration with the famous Manhattan Diary. The Neue Galerie Manhattan Diary, produced by Gallery Leather, features endpapers with Viennese architect Josef Hoffmann's Adler pattern from 1910, gilded edges, metal protective corners, and a black full-grain leather binding debossed with our logo. For over 30 years, the Manhattan City Diary has been a must-have resource for everything New Yorkers need to know about the Big Apple. Featuring a wealth of city listings including restaurants, shops, art galleries, nightlife, 24-hour services, and emergency numbers. Packed with useful information like conversion charts, a vintage wine list, holidays, and more. For keeping up to date on your appointments, it offers a week-to-a-spread calendar layout. Full-color street maps to make navigating the city a breeze. MTA, Metro-North, LIRR, and NJ Transit maps ensure you will always be on the right track. Area and zip code maps assist you at all times. Other features: Book Bound 3.25" x 7" Contains week-to-a-spread calendar Over 3,000 Area-Specific Listings Full-color Street, Transit, and Vicinity Maps Black ribbon bookmark 112 Sheets/224 pages

Neue Galerie Manhattan Diary 2025

By Michael Lobel “[A] revealing study. . . . The fine-grained analysis and lively prose delight. Art history buffs will want to add this to their bookshelves.”—Publishers Weekly “To situate Van Gogh, the celebrated ‘painter of nature,’ as a witness, a critic, and at the same time an aesthete of the industrial despoliation of nature that inevitably marked the age of coal everywhere is a stunning achievement. Michael Lobel’s elegant—and cogently argued—book will fundamentally change our view of this important artist and greatly advance the conversation already underway between art history and the environmental humanities. A must-read for anyone interested in that conversation.” —Dipesh Chakrabarty, author of The Climate of History in a Planetary Age A groundbreaking reassessment that foregrounds Van Gogh’s profound engagement with the industrial age while making his work newly relevant for our world today. Vincent van Gogh (1853–1890) is most often portrayed as the consummate painter of nature whose work gained its strength from his direct encounters with the unspoiled landscape. Michael Lobel upends this commonplace view by showing how Van Gogh’s pictures are inseparable from the modern industrial era in which the artist lived—from its factories and polluted skies to its coal mines and gasworks—and how his art drew upon waste and pollution for its subjects and even for the very materials out of which it was made. Lobel underscores how Van Gogh’s engagement with the environmental realities of his time provides repeated forewarnings of the threats of climate change and ecological destruction we face today. Van Gogh and the End of Nature offers a radical revisioning of nearly the full span of the artist’s career, considering Van Gogh’s artistic process, his choice of materials, and some of his most beloved and iconic pictures. Merging a timely sense of environmental urgency with bold new readings of the work of one of the world’s most acclaimed artists, this book weaves together detailed historical research and perceptive analysis into an illuminating portrait of an artist and his changing world. Hardcover200 Pages | 77 Color + 7 BWYale University Press, 20247.2 x 0.8 x 10 inchesISBN 9780300274363Vincent van Gogh, Monograph

Van Gogh and the End of Nature

Edited with text by Theodora Vischer Text by Tere Arcq, Andreas Beyer, Tamar Garb, Peter Geimer, Anna-Carola Krausse, Sylvie Patry, Uwe M. Schneede, Jennifer Thompson, and Hilda Trujillo. Gender interventions and formal innovations in female portraiture, through works by Berthe Morisot, Mary Cassatt, Paula Modersohn-Becker, Lotte Laserstein, Frida Kahlo, Alice Neel, Marlene Dumas, Cindy Sherman, Elizabeth Peyton This superbly conceived publication looks at nine women artists whose careers were devoted primarily to portraiture, analyzing both the work they produced and the unique ways in which each artist captured her subjects’ likenesses and the spaces they inhabited. These artists represent the development of modernist art since 1870; each has made significant contributions to art history as they complicate long-held notions of the gaze and explore the relationship between the self, the subject and the artist. Close-Up examines women painters and photographers who are known primarily for self-portraiture, such as Paula Modersohn-Becker, Frida Kahlo and Cindy Sherman; it also looks at female artists who depicted the daily lives of women and children in a creative environment that was largely disinterested in such subjects, such as Berthe Morisot, Mary Cassatt and Lotte Laserstein. Still other women—Alice Neel, Marlene Dumas and Elizabeth Peyton—embrace familiarity completely and depict friends and family as well as famous figures in their paintings. In essays by nine different authors, these artists and their subjects are considered individually and as part of a chronology of modern portraiture, with an emphasis on the dynamics of gender. Paperback344 pages | 215 color illustrationsHatje Cantz, 2021ISBN 97837757475787.5 x 10.25 inchesWomen Artists, Painting, Photography

Close-Up

Paula Modersohn-Becker (1876-1907) Nude Girl with Flower Vases, 1906-07

Paula Modersohn Becker: Nude Girl with Flower Vases [Postcard]

Paula Modersohn-Becker (1876-1907) Standing and Kneeling Nude Girls in Front of Poppies II, 1906

Paula Modersohn-Becker: Standing and Kneeling Nude Girls in Front of Poppies II [Postcard]

Paula Modersohn-Becker (1876-1907)Self-Portrait with Two Flowers in Her Raised Left Hand, 1907 Poster for the exhibition Paula Modersohn-Becker: Ich bin Ich / I Am Me 18 x 24 inches

Paula Modersohn-Becker: Ich bin Ich / I Am Me Exhibition Poster

Edited by Natalia Sidlina "The story of the friendships that made modern art. Brought together in the UK for the first time in 80 years, this exhibition book offers unprecedented access to the landmark exhibition's collection of masterpieces. Expressionists is a story of friendships told through art - the groundbreaking work of a circle of friends and close collaborators known as The Blue Rider. In the early twentieth century they came together to form, in their own words, 'a union of various countries to serve one purpose' - to tr "--From the Back Cover A crucial introduction to the origins of the German Expressionist movement and the influential Blue Rider group, focusing on their relationships and transcultural interests Founded in Munich in the 1910s, the Blue Rider (Der Blaue Reiter) was a revolutionary collective of artists, musicians, performers and writers that included Wassily Kandinsky, Paul Klee, Franz Marc, Gabriele Münter and Marianne Werefkin, among many others. Their experiments with color, sound and light were key to the development of Expressionism, and their practice was stunningly varied. The group’s works encompassed painting, sculpture, design, curation, publishing, printmaking, textiles, performative arts, and even branched into sound and spirituality. This book offers an essential overview of the Blue Rider collective. Often described in conjunction with the German Expressionist movement, the Blue Rider was in fact one of the first transnational modern art collectives. This is a key focus of the book, along with along with new research foregrounding the relationships, gender dynamics and multimedia practices of the collective. New scholarship from more than a dozen international experts illuminates these themes as well as questions of spatiality, studio practice and creative community, with particular focus on the contributions of women associated with the Blue Rider circle. This richly illustrated publication features works by these acclaimed artists along with a trove of materials from their personal collections, including photography, international art, crafts and vernacular artifacts, and a comprehensive biographical section that serves as an important introduction to the circle of the Blue Rider creatives, including overlooked artists such as Wladimir Burliuk and Maria Franck-Marc. Hardcover240 Pages | 200 color + black-and-white illustrationsYale University Press, 20249 x 10.7 inchesISBN 9780300278330 Blue Rider, Expressionism

Expressionists: Kandinsky, Münter and the Blue Rider

Exhibition notecard for "Paula Modersohn-Becker: Ich bin Ich / I am Me"June 6 — September 9, 2024Paula Modersohn-Becker (1876-1907)Self-Portrait with Two Flowers in Her Raised Left Hand, 19071 notecard and envelope5.75 x 8.75 inches

Paula Modersohn-Becker: Ich bin Ich / I am Me Exhibition Notecard [Single Card]

By Yoshio Futagawa Designed by Adolf Loos in his later years, these two houses are twin examples of the architect’s plain, unadorned style of architecture, despite their difference in size and budget. Both Villa Moller (1926–27) in Vienna and Villa Müller (1928–30) in Prague are illustrative of his ‘Raumplan’ design method. Loos applied a utilitarian approach in using the entire floor plan that would only later receive greater appreciation with the advent of postmodernism, an innovative spatialisation comprising sequences of spaces drawn in three dimensions. Photographed by Yoshio Futagawa, the two houses and the spatial brilliance of Loos come to life in an eclectic symbiosis with modernism. Paperback78 pages | color + black-and-white illustrationsText in Japanese and EnglishAda Edita, 201710.28 x 0.47 x 14.49 inchesISBN 9784871405584 Adolf Loos, Modernist Architecture

Residential Masterpieces 25: Adolf Loos Villa Muller / Villa Moller

Edited by Jay A. Clarke and Jill Lloyd-Peppiatt This exhibition catalog considers the work of a pioneering artist who subverted conventions in her bold depictions of the nude, self-portraits, and still-lifes. An iconoclast in her own time, Modersohn-Becker is today considered an icon of modernity.Throughout her career, Paula Modersohn-Becker boldly experimented with styles while steadfastly pursuing the truth of everyday life and her own female experience. This monograph looks at the entire spectrum of her work—figure drawings, still-lifes, self-portraiture, landscape, nudes, and portraits of young girls and old women—to illustrate the evolution of an artist reacting to seismic cultural change at the turn of the nineteenth century. Whether she was embracing or subverting the principles of realism, naturalism, impressionism, symbolism, or expressionism, Modersohn-Becker remained interested in issues of identity, peeling away outer layers to uncover what she understood as the true essence of life. This book features numerous examples of Modersohn-Becker’s striking and relatively unknown drawings of men, women, and children facing poverty, as well as her highly original figure paintings and nudes—including her unprecedented nude self-portraits. Accompanying the first museum exhibition of Modersohn-Becker’s work in the United States, it reveals the deeply personal and authentic work of an artist who resolutely forged her own path. Hardcover208 pagesPrestel, 20249.25 x 11.25 x .75 inchesISBN 9783791377346Neue Galerie Exhibition Catalogue

Paula Modersohn-Becker Exhibition Catalogue

Edited by MunchEdvard Munch’s pictures capture all facets of human existence. This book gathers a selection of highlights, from The Scream and Madonna to Vampire, Melancholy and The Sick Child.Hardcover112 pages | 51 color illustrationsMUNCH, 20246.69 x 9.45 inchesISBN 9788284620091Artist Monographs, Expressionism

Edvard Munch: A Selection

Pepin Press’ Watercolour Postcard Books contain 16 cards made of the finest 250 gsm watercolor paper. The paper is acid-free, FSC-certified and quite thick to make the cards suitable for mailing. They are a joy to color with a wide range of techniques, such as watercolor, ink, color pencil, crayon, etc. All the coloring books match the quality the quality of the finest professional coloring pads. In order to get the best results, high-quality colouring materials are recommended. Paperback16 pagesPepin Press, 20244 x 6 inchesISBN 9789460096389Activity Book, Art Nouveau

Gustav Klimt: Watercolor Postcard Book

Pepin Press’ Watercolour Postcard Books contain 16 cards made of the finest 250 gsm watercolor paper. The paper is acid-free, FSC-certified and quite thick to make the cards suitable for mailing. They are a joy to color with a wide range of techniques, such as watercolor, ink, color pencil, crayon, etc. All the coloring books match the quality the quality of the finest professional coloring pads. In order to get the best results, high-quality colouring materials are recommended.Paperback16 pagesPepin Press, 20244 x 6 inchesISBN 9789460096341Activity Book, Post-Impressionism

Vincent Van Gogh: Watercolor Postcard Book

PEPIN Artists’ Coloring Books contain 12 sheets of superior acid-free drawing paper, printed with exceptional designs in very light lines.The printing is done in such a way that, depending on the techniques used, the original outline will be hardly visible after coloring. The 180 gsm drawing paper is made to Pepin's specifications by one of the best paper mills in Europe and is suitable for a wide range of coloring applications, including pencil, crayon, pastel, felt marker, gouache, etc. Also watercolors and liquid inks can be used. Pepin's first-rate paper has a long life and colored sheets can be framed and displayed without the risk of rapid deterioration.These books match the quality of the finest artists’ pads. They are perfectly suited to practice your coloring skills and create beautiful pieces at the same time. High-quality coloring materials are recommended. Paperback 12 pagesPepin Press, 202410 x 13 inchesISBN 9789460098284Activity Book, Coloring Book

Vincent van Gogh: Artists' Coloring Book

By Frederic J. Schwartz “Once again Frederic Schwartz trains his bright light on the unstable frameworks of judgment: in early twentieth-century Germany they assumed a particular form – legal cases unveiled to the public. Aesthetics squirm and yield up new orders of morality. Political questions rise up, unbidden. One cannot ask for more. This is a most timely book.”–Molly Nesbit, Professor of Art on the Mary Conover Mellon Chair at Vassar College; author of The Pragmatism in the History of Art “This magnificent book cuts through the history of early-twentieth-century culture with a new epistemological instrument—the case—and shows what it meant to perceive the social world in cases. Everyone interested in the art and science of the 1920s has to read it.”–Anke te Heesen, Professor and Chair of the History of Science, Humboldt University, BerlinHow artists in twentieth-century Germany adapted the idea of the medical or legal case as an artistic strategy to push to the fore sexualities, scandals, and crimes that were otherwise concealed.In early twentieth-century Germany, the artistic avant-garde borrowed procedures from the medical and juridical realms to expose and debate matters that society preferred remain hidden and unspoken. Frederic J. Schwartz explores how the evocation or creation of a “case” provided artists with a means to engage themes that ranged from blasphemy to Lustmord, or sexual murder. Shedding light on the case as a cultural form, Schwartz shows its profound effect on artists and the ways it dovetailed with methods used by these figures to exploit fundamental changes taking place across the mass media of their time.As Schwartz shows, the case was a common denominator that connected seemingly disparate works. George Grosz and Rudolf Schlichter drew on it for their violent visual art, as did architect Adolf Loos when he equated ornament with crime. Expressionists, meanwhile, approached the question of whether the so-called “mad” shared a right of public expression with those deemed sane, and examined medical and legal approaches to what society labeled as insanity. The case also took on a personal dimension when artists found themselves confronted with, or chose to engage with, the legal system. German courts prosecuted John Heartfield and others for their provocative works, while Bertolt Brecht created publicity for himself by suing the firm to whom he sold the film rights to The Threepenny Opera. Provocative and insightful, The Culture of the Case offers a privileged view of the spaces of representation in which images—in some instances, as cases—functioned at a key moment of modernity.Hardcover432 pages | 30 color, 80 black-and-white illustrationsThe MIT Press, 20236 x 10 inchesISBN 9780262047708Art History, German Art

The Culture of the Case: Madness, Crime, and Justice in Modern German Art

An opulent fusion of sensuality, symbolism, and artistic ingenuity, this magnificent boxed-set features stunning color reproductions of Klimt’s essential works in an accordion-fold format accompanied by a separate booklet with background and descriptions of each painting. Gustav Klimt’s luminous paintings are particularly suited for an accordion-fold presentation. As each painting unfolds into a lavish reproduction, Klimt’s dazzling colors and intricate patterns spring to life. This volume includes several highlights of Klimt’s works including The Kiss, his portraits of Adele Bloch-Bauer, The Tree of Life, Danae, and Death and Life. The stunning reproductions allow readers to experience close up Klimt’s intricate details and artful use of gold leaf; his art’s symbolism and emotional power; his decorative aesthetic, and beguiling landscapes. A separate booklet with explanatory captions providing additional background and historic context accompanies the main volume. Klimt’s many fans will cherish this fresh, unique, extraordinary celebration of the artist’s timeless brilliance and monumental talent.Hardcover240 pages | 192 color illustrationsPrestel, 202418,5 x 26,0 cm, 7.3 x 10.2ISBN 9783791377223Monograph, Reproductions

Klimt: The Essential Paintings

By Freyda SpiraThe Norwegian artist Edvard Munch (1863–1944) and the German artist Ernst Ludwig Kirchner (1880–1938) are considered modernist visionaries. They were also pioneering printmakers, eschewing the mastery of one technique for experimentation across many. Born a generation apart, they worked in an expressionist mode, in which they did not simply replicate what they saw but rather filtered everything through their own imagination and memories. Exploiting the perceptual and emotional power of color and abstraction for creative expression, they portrayed what they perceived to be a fragmented, harrowing reality; both artists endured bouts of anxiety and depression, battled substance abuse, and received psychiatric care. Featuring never-before-published prints from the collection of Nelson Blitz, Jr., and Catherine Woodard, as well as etchings, lithographs, and hand-colored woodcuts from select public and private collections across the United States, this volume puts these two giants of Expressionism in a dialogue that foregrounds issues of mental health and offers a fresh approach that blends art history and the history of medical treatment. The included essays examine the artistic affinities and divergences in their printmaking and the ways in which they used shadows to imagine pathologized psychological and psychiatric experiences in their art.Paperback with flaps192 pages | 99 color imagesYale University Press, 20249 x 12 inchesISBN 9780300275858 Art History, Essays

Munch and Kirchner: Anxiety and Expression

Text by Heather Arnet, Ralf Kemper, Juerg Judin, Pay Matthis Karstens, Alice Delage, and Karli Wurzelbacher.German draughtsman George Grosz (1893–1959) created his last major series of paintings and watercolors, the “Stick Men”, beginning in the mid-1940s in reaction to the Holocaust and the other atrocities of the Second World War. The deployment of atomic bombs in Japan and the threat of a Third World War further deepened what the artist termed his “despair, hate and disillusionment.” In his final works, he drew his figures as dehumanized, famished beings aimlessly wandering through a contaminated, post-apocalyptic world. As the first exhibition of the “Stick Men” series following the artists’ death, this catalog contradicts the notion that Grosz had become “soft” and apolitical during his years spent in the United States. Rather, this series is the culmination of the political and artistic convictions of a lifetime of struggle: a timely and relevant legacy even today.Hardcover148 pages | 76 color and 14 black-and-white illustrationsWalther König, 20248 x 10.75 inchesISBN 9783753304403 Artist Monograph, World War II

George Grosz: The Stick Men

Heinrich Kühn (1866-1944)Anna with Mirror, 1902 1 blank card and envelope4.25 x 6 inches

Heinrich Kühn: Anna with Mirror, 1902 [Single Card]

Heinrich Kühn (1866-1944)Meadow with Trees, 1897 1 blank card and envelope4.25 x 6 inches

Heinrich Kühn: Meadow with Trees, 1897 [Single Card]

Heinrich Kühn (1866-1944)Still-Life with Fruit Bowl, 1909 1 blank card and envelope4.25 x 6 inches

Heinrich Kühn: Still-Life with Fruit Bowl, 1909 [Single Card]

Heinrich Kühn (1866-1944)Still-Life with Violets, 1908 1 blank card and envelope4.25 x 6 inches

Heinrich Kühn: Still-Life with Violets, 1908 [Single Card]

Heinrich Kühn (1866-1944)Study in Tonal Values III (Mary Warner), 1908 1 blank card and envelope4.25 x 6 inches

Heinrich Kühn: Study in Tonal Values III (Mary Warner), 1908 [Single Card]

Edited by Ulrike Groos and Anja Richter Text by Jan Bürger Whether in the visual arts, literature, cinema, science or fashion–in the crises after World War I, the fascination with “types” was largely influenced by a debate that was pervasive in the Weimar period: the search for the “face of the era.” People were looking for new role models, and the portraits by artists of the New Objectivity movement such as Otto Dix, George Grosz, Jeanne Mammen and Hanna Nagel testify to this. Many of the clichéd images, such as those of the “new woman” or the “worker,” however, continue to have an effect in the present, reminding us with their classification of individuals of a problem that lives on in today’s bigotry.A broad spectrum of contributors from art history, medical history, media studies, and sociology venture into a detailed investigation of the historical context of the 1920s and the complex interactions between art and its time. An installation developed especially for the exhibition by contemporary artist Cemile Sahin, born in 1990, spans an arc to the present.FEATURED ARTISTS:Atelier Gerstenberg, Hans Baluschek, Rudolf Bergander, Albert Birkle, Richard Birnstengel, Friedrich Bochmann, Steffi Brandl, Gottfried Brockmann, Friedrich Busack, Heinrich Maria Davringhausen, Dodo (Dörte Clara Wolff), Erich Drechsler, Kate Diehn-Bitt, Rudolf Dischinger, Otto Dix, Erich Drechsler,Hermann Fechenbach, Conrad Felixmüller, Fred Goldberg, Otto Griebel, George Grosz, Hans Grundig, Lea Grundig, Elsa Haensgen-Dingkuhn, Hainz Hamisch, Olga Hayduk, Nini und Carry Hess, Heinrich Hoerle, Karl Hubbuch, Lotte Jacobi, Grethe Jürgens, Alexander Kanoldt, Annelise Kretschmer, Bernhard Kretzschmar, Paula Lauenstein, Lotte Lesehr-Schneider, Elfriede Lohse-Wächtler, Jeanne Mammen, Hanna Nagel, Gerta Overbeck, Lotte B. Prechner, Kurt Querner, Anton Räderscheidt, August Sander, Christian Schad, Josef Scharl, Rudolf Schlichter, Wilhelm Schnarrenberger, Georg Scholz, Friedrich Seidensticker, Alice Sommer, Cami Stone, Erika Streit, Ernst Thoms, Adolf Uzarski, Kurt Weinhold, Erik Winnertz,Richard Ziegler and Cemile SahinHardcover304 pages | 180 illustrationsHatje Cantz, 2023Text in German and English11.8 x 9.1 inchesISBN 9783775756006New Objectivity, Portraiture

Look at the People!/Sieh Dir Die Menschen An!: The New Objectivity "Type" Portrait in the Weimar Period

Gustav Klimt (1862-1918)The Park, 1909Poster for the exhibition Klimt Landscapes.16 x 20 inches

Klimt Landscapes Exhibition Poster

Gustav Klimt (1862-1918)Pear Trees (Pear Tree), 1903 (later reworked)

Gustav Klimt: Pear Trees, 1903 [Postcard]

Gustav Klimt (1862-1918) Sunflower, 1907-08

Gustav Klimt: Sunflower, 1907-08 [Postcard]

Gustav Klimt (1862-1918)Poppy Field, 1907

Gustav Klimt: Poppy Field, 1907 [Postcard]

This book was featured in our Lecture Series. Translated by Ulrich Baer from the collection edited by Rainer StammIntroduction by Jill LloydThe painter Paula Modersohn-Becker and the poet Rainer Maria Rilke were two of the most talented and original creative artists at work in early twentieth-century Europe. They enjoyed a close friendship that left in its wake a remarkable series of letters. Encompassing topics such as art, literature, and the nature of marriage, their correspondence testifies to both writers’ brilliant descriptive gifts and penetrating social intelligence. Brought together in English for the first time, the letters that Modersohn-Becker and Rilke sent to one another provide a fascinating view of everyday life during an exceptionally fertile and exciting period of cultural production.Paperback120 pagesEris Press, 20247.8 x 5.1 inchesISBN 9781916809901Biography, Correspondence, Art History

The Modersohn-Becker/Rilke Correspondence

Austrian painter Gustav Klimt (1862-1918) is renowned for his provocative allegories and for his sensuous portraits of women—commissions of the latter supported him financially for the last twenty years of his career. During the same period, he also devoted considerable energies to contemplative landscapes, which were undertaken during his Sommerfrische (summer holidays) spent in the region near Salzburg renowned for its lakes and alpine terrain. Although these paintings were created purely for Klimt's pleasure, they became among the most sought-after canvases by the artist. Contained in this boxed set are reproductions of six of Klimt's most important landscapes. Completed between 1900 and 1914, these pictures demonstrate the range of the artist's fascination with the locale. He focused on fruiting orchards and reflecting ponds, flowering gardens and blooming meadows, as well as distinct architectural structures situated in bucolic settings. This selection of verdant scenes has a universal appeal, capturing nature at the height of its beauty and affirming Klimt's unique artistic achievements. Images include:The Large Poplar I, 1900Avenue in the Park of Schloss Kammer, 1912Forester's House in Weissenbach II (Garden), 1914Park at Kammer Castle, 1909Sunflower, 1907-08Poppy Field, 1907 Notecard Box Set:12 square notecards and envelopes2 each of 6 images6 x 6 inches

Gustav Klimt Landscapes Notecard Set

Edited by Isabelle Jansen, Johannes Eichner and Matthias MühlingAvailable again in an attractive package and price, this highly regarded monograph celebrates Münter’s important contributions to modern art—beyond her association with the Blue Rider movement.Filled with the vibrant color that is the hallmark of Münter’s oeuvre, this dynamic consideration of the German painter offers a lively and detailed analysis of her life, work, and contributions to modern painting. While Münter is most often linked to Wassily Kandinsky and the Blue Rider movement, this book offers a refreshing appreciation of her work in its own right.Multifaceted, imaginative, and stylistically diverse, Münter’s creative output spanned genres to include portraits, landscapes, interiors, and abstractions. Beautifully reproduced images allow readers to marvel at Münter’s joyful vibrant hues, her bold brushstrokes and her experimental and innovative approach to painting. Lively texts offer important biographical insights into her artistic evolution and place her work in the broader context of modern art.Comprehensive and insightful, this newly formatted edition pays tribute to a hugely influential woman artist whose work is all too often overlooked.Paperback272 pagesPrestel, 20237.88 x 0.83 x 10.63 inchesISBN 9783791379845Blue Rider, German Expressionism

Gabriele Munter: Painting to the Point

Edited by Janis Staggs As inviting and sensual as a warm summer day, this opulent exhibition catalog offers a deep appreciation of Klimt’s ornate, exquisitely detailed, and atmospheric landscape paintings.For the last twenty years of his career, Gustav Klimt devoted considerable energy to painting landscapes during his summer vacations—and these bucolic scenes became some of his most sought-after pictures. Filled with vibrant high-quality reproductions and featuring engaging essays by leading scholars in the field, this exhibition catalog situates Klimt’s landscapes alongside fin-de-siècle fashion, photography, and decorative arts of the Wiener Werkstätte in particular. Klimt’s landscapes are examined within the context of his larger oeuvre and traces the evolution of his style: from one informed by the academic tradition, to his ornate “golden style” decorative approach influenced by the ideal of the Gesamtkunstwerk, and then to a more painterly manner of working in pure color. The book also considers Klimt’s relationship with his muse, fashion designer Emilie Flöge; his deep engagement with the Viennese avant-garde; and the specific techniques he employed to achieve mesmerizing, harmonious works that literally shimmer with light and color. Hardcover344 pagesPrestel, 20249.25 x 1.14 x 11.22 inchesISBN 9783791377360Neue Galerie Exhibition Catalogue

Klimt Landscapes Exhibition Catalogue

Gustav Klimt (1862-1918)Portrait of Gertha Loew, 1902 (detail) Matte laminate finish2.75” x 8.25”1 bookmark

Gertha Loew Bookmark

By Ralph Jentsch Text by Juerg Judin, Pay Matthis Karstens, Mechthild Hagemann Previously unseen early works from the Weimar Republic's greatest chronicler and satirist. This volume is dedicated to the early life and career of the brilliant young artist Georg Ehrenfried Gross (1893-1959), who would later become known as George Grosz. Known for his politically charged paintings and caricatural depictions of Berlin life in the 1920s, the youthful Gross had a long way to go before changing his name and becoming the most popular and sharp-tongued chronicler of the Weimar Republic. Gross made his first oil paintings in 1912 while still a student, and by 1914 was working in a style deeply influenced by Expressionism, Futurism and popular illustration. Presenting over 50 works made between the years 1904 and 1917, all but a few exhibited for the first time ever, the inaugural exhibition of Das kleine Grosz Museum, and this accompanying catalog, trace the artistic and biographical trajectory of this great artist's journey.Hardcover 178 pages Walther Konig, 20228.25 x 1 x 11 inchesISBN 9783753302041Artist Monograph, Arts & Photography Criticism

Gross Before Grosz: The Early Years

Original Price: $50 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Tobias G. Natter This unique and utterly fascinating appreciation of Gustav Klimt’s oeuvre reveals some of his most famous works in their original settings and offers valuable historic insight into his artistic vision. Interior design was supremely important to Gustav Klimt, and many of his paintings were created for specific settings or spaces. This aspect of Klimt’s practice comes beautifully to life in this book that illustrates how some of the artist’s most beloved canvases appeared in situ—in private dining rooms and salons, galleries, museums, and public exhibition spaces. Works such as the portraits of Emilie Flöge and Hermine Gallia, the shocking Nuda Veritas, and landscapes A Morning by the Pond and The Tall Poplar I are presented in double-page spreads. Full-color reproductions of paintings by Klimt are juxtaposed with black-and-white vintage photographs of the original interiors with the featured paintings overlaid in color. Thoughtful and personal texts by Klimt scholar Tobias Natter accompany each spread, providing invaluable contextual insight about how these pictures were conceived as part of the interior design of their respective rooms and spaces, and the passionate collectors who first owned these pictures. Meticulously produced and packaged, this book provides a refreshing perspective on Klimt’s oeuvre and artistic vision. Hardcover140 pagesPrestel, 20239.5 x 1 x 11.5 inchesISBN 9783791379784Gustav Klimt, Art History

Gustav Klimt: Interiors

Austrian painter Gustav Klimt (1862-1918) is renowned for his provocative allegories, contemplative landscapes, and most of all for his sensuous portraits of women. Klimt himself expressed a special preoccupation with women above all other subjects. Included in this boxed set are reproductions of Klimt's most acclaimed female portraits. Klimt's style matured over the course of his career from ethereal and feminine depictions, to examples in his so-called "golden style," and to later works that show his fascination with color, decorative ornament and his admiration of Asian art. Painted between 1901 and 1918, these pictures capture how his sitters evolved from keepers of the domestic realm to modern women, who embraced life with greater agency and self-determination. Together, they convey a sense of Klimt's obsession with the allure and intrigue of women, and their appreciation of his ability to transform them into icons of feminine beauty and grace. Images include:Portrait of Adele Bloch-Bauer I (detail), 1907Portrait of Amalie Zuckerlandl (detail), 1917-18 (unfinished, and possibly started as early as 1913-14)Portrait of Elisabeth Lederer (detail), 1914-16The Black Feather Hat (detail), 1910The Dancer (detail), 1916-17 (unfinished)Portrait of Fritza Riedler (detail), 1906Portrait of Gertha Loew (detail), 1902Judith I (detail), 1901 Notecard Box Set:16 notecards and envelopes2 each of 8 images5 x 7 inches

Gustav Klimt Women Notecard Set

Edited by Elisabeth Leopold and Stefan KutzenbergerA lavishly produced volume of Egon Schiele’s self-portraits. Egon Schiele’s contorted and eccentric figures are among the most familiar and iconic images in twentieth-century art. A good many of those figures are self-portraits. Schiele returned to himself as a subject again and again over a period of many years, recording himself in various poses and styles. When he used his own body as a model, his interest often lay not in his actual self, but more generally in the position of the individual in the changing modern world. Posing in a variety of roles, Schiele uses his face like a mask. This beautifully produced book offers a comprehensive account of this crucial, yet underappreciated, aspect of Schiele’s art.Hardcover160 pages, 110 color plates9.5 x 11 inchesHirmer, 2023ISBN 9783777441832Self-Portraits, Monographs

The Faces of Egon Schiele: Self-portraits

Edited by Christian Bauer The first book devoted to a forgotten expressionist artist and the impact he had on his famous companion. A multifaceted artist and charismatic figure in Vienna’s art scene, Erwin Osen (1891–1970) is best known today as Egon Schiele’s friend and one of his models. While their relationship inspired some of Schiele’s masterpieces, Osen also left his mark on expressionism through his work, which is ripe for rediscovery.A true Renaissance man, Osen counted drawing and painting among his art practices, as well as stage decor and set design, acting, pantomime, singing, cabaret, theater, and filmmaking. He and Schiele shared a studio, as well as an interest in the experience of patients in healthcare settings. Both a biography and a chronicle of the fruitful interaction between two artists, Erwin Osen shines a light on a fascinating and underappreciated creative.Hardcover224 pages | 250 color platesHirmer Publishers, 20237.75 x 1 x 11 inchesISBN 9783777441429Austrian Artist, Expressionism

Erwin Osen: Egon Schiele’s Artist Friend

By Sue Hubbard“A triumph of literary and artistic understanding, a tour de force: Masterly, moving and beautifully written.” —Fay WeldonA dazzling novel about groundbreaking artist, Paula Modersohn-Becker—a brilliant early expressionist who toiled under the shadow of her lover Rainer Maria RilkeGirl in White is the extraordinary story of the German expressionist painter Paula Modershohn-Becker (1876-1907), told from the fictionalized perspective of her daughter, Mathilde.Written with the eye of a painter and the soul of a poet this moving story is a meditation on love, loss, memory and, ultimately, hope.Paula Modersohn-Becker was a pioneer of modern art in Europe, but denounced as degenerate by the Nazis after her death. Poet and art critic Sue Hubbard draws on the artist’s diaries and paintings to bring to life her singular existence, her battle to achieve independence and recognition and her intense relationship with the poet Rainer Maria Rilke, and her struggle to find a balance between being a painter, wife, and mother.Not only do we discover Paula’s vibrant personality and rich legacy of Expressionist paintings, but also come to understand something of the corrupted ideologies of the Third Reich in a book that’s perfect for fans of books like Georgia by Dawn Tripp and The Age of Light by Whitney Scharer.Paperback320 pagesPushkin Press, 20235 x 7.77 inchesISBN 9781782279129Historical Fiction

Girl in White

Text by Diane V. Silverthorne, Dan Reynolds, Megan Brandow-FallerA landmark of graphic modernism, the Vienna Secession’s magazine is brought to life in a complete facsimile reprint with new essays and translationsThe brainchild of Koloman Moser, Alfred Roller, Josef Hoffmann, Bertold Löffler and others—the leading graphic artists of the Vienna Secession and the Wiener Werkstätte—Die Fläche (German for The Surface) laid out an extraordinary group vision for design through adventurous work by these designer-professors and more than 100 of their students. Packed with bold ideas for posters, advertisements, book covers, woodcut prints and much more, the result is an inexhaustibly rich sourcebook of graphic forms, modern ideas and technical experiments, all reflecting a reorientation in design practice and teaching that would resonate around the world.This full-size facsimile of all 14 issues of Die Fläche lets readers experience this rare gem as it was meant to be seen, while new essays and translations explore its significance.Die Fläche is the first volume in Letterform Archive’s facsimile series, which presents landmarks of print and design history with exacting reproductions and new essays that provide rich context and fresh insights. Hardcover344 pages | 400 color, 25 black-and-white imagesLetterform Archive Books, 20238.7 x 1.6 x 13.2 inchesISBN 9781736863312Viennese Secession, Graphic Design

Die Fläche: Design and Lettering of the Vienna Secession, 1902–1911

Max Beckmann: The Bark, 1926 [Postcard]

Max Beckmann: Carnival, 1920 [Postcard]

Max Beckmann (1884-1950) Self-Portrait on Yellow Ground with Cigarette, 1923

Max Beckmann: Self-Portrait on Yellow Ground with Cigarette, 1923 [Postcard]

Max Beckmann (1884-1950) Self-Portrait in front of Red Curtain, 1923

Max Beckmann: Self-Portrait in front of Red Curtain, 1923 [Postcard]

Exhibition notecard for "Max Beckmann: The Formative Years, 1915-1925"October 5, 2023—January 15, 2024Max Beckmann (1884-1950)Carnival, 19201 notecard and envelope5.75 x 8.75 inches

Max Beckmann: The Formative Years Exhibition Notecard [Large Single Card]

Original Price: $18 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Max Beckmann (1884-1950)Carnival, 1920 Poster for the exhibition Max Beckmann: The Formative Years, 1915-1925. 16 x 20 inches

Max Beckmann: The Formative Years Exhibition Poster

Spiral-bound notebook, featuring Jagdfalke (Hunting Falcon), 1910-11, block-printed textile and wallpaper design by Josef Hoffmann (1870-1956). 5¾ x 8½ in.60 unlined pages

Josef Hoffmann Bellflower Notebook

Spiral-bound notebook, featuring the Portrait of Adele Bloch-Bauer (1907) by Gustav Klimt 5¾ x 5¾ in.60 unlined pages

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