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LIMITED EDITION This is the very first museum collaboration with the famous Manhattan Diary. The Neue Galerie Manhattan Diary, produced by Gallery Leather, features endpapers with Viennese architect Josef Hoffmann's Adler pattern from 1910, gilded edges, metal protective corners, and a black full-grain leather binding debossed with our logo. For over 30 years, the Manhattan City Diary has been a must-have resource for everything New Yorkers need to know about the Big Apple. Featuring a wealth of city listings including restaurants, shops, art galleries, nightlife, 24-hour services, and emergency numbers. Packed with useful information like conversion charts, a vintage wine list, holidays, and more. For keeping up to date on your appointments, it offers a week-to-a-spread calendar layout. Full-color street maps to make navigating the city a breeze. MTA, Metro-North, LIRR, and NJ Transit maps ensure you will always be on the right track. Area and zip code maps assist you at all times. Other features: Book Bound 3.25" x 7" Contains week-to-a-spread calendar Over 3,000 Area-Specific Listings Full-color Street, Transit, and Vicinity Maps Black ribbon bookmark 112 Sheets/224 pages

Neue Galerie Manhattan Diary 2025

Available for pre-order. Expected arrival early October. LIMITED EDITION.The Neue Galerie New York is pleased to unveil its 2025 calendar, filled with masterworks by Egon Schiele. The illustrated paintings are drawn from the Neue Galerie’s own holdings as well as other esteemed collections. 12-month 2025 calendar featuring Egon Schiele masterpiecesSpiral bound, 7" x 14"

Egon Schiele 2025 Wall Calendar

Edited by Jay A. Clarke and Jill Lloyd-Peppiatt This exhibition catalog considers the work of a pioneering artist who subverted conventions in her bold depictions of the nude, self-portraits, and still-lifes. An iconoclast in her own time, Modersohn-Becker is today considered an icon of modernity.Throughout her career, Paula Modersohn-Becker boldly experimented with styles while steadfastly pursuing the truth of everyday life and her own female experience. This monograph looks at the entire spectrum of her work—figure drawings, still-lifes, self-portraiture, landscape, nudes, and portraits of young girls and old women—to illustrate the evolution of an artist reacting to seismic cultural change at the turn of the nineteenth century. Whether she was embracing or subverting the principles of realism, naturalism, impressionism, symbolism, or expressionism, Modersohn-Becker remained interested in issues of identity, peeling away outer layers to uncover what she understood as the true essence of life. This book features numerous examples of Modersohn-Becker’s striking and relatively unknown drawings of men, women, and children facing poverty, as well as her highly original figure paintings and nudes—including her unprecedented nude self-portraits. Accompanying the first museum exhibition of Modersohn-Becker’s work in the United States, it reveals the deeply personal and authentic work of an artist who resolutely forged her own path. Hardcover208 pagesPrestel, 20249.25 x 11.25 x .75 inchesISBN 9783791377346Neue Galerie Exhibition Catalogue

Paula Modersohn-Becker Exhibition Catalogue

Paula Modersohn-Becker (1876-1907)Self-Portrait with Two Flowers in Her Raised Left Hand, 1907 Poster for the exhibition Paula Modersohn-Becker: Ich bin Ich / I Am Me 18 x 24 inches

Paula Modersohn-Becker: Ich bin Ich / I Am Me Exhibition Poster

Exhibition notecard for "Paula Modersohn-Becker: Ich bin Ich / I am Me"June 6 — September 9, 2024Paula Modersohn-Becker (1876-1907)Self-Portrait with Two Flowers in Her Raised Left Hand, 19071 notecard and envelope5.75 x 8.75 inches

Paula Modersohn-Becker: Ich bin Ich / I am Me Exhibition Notecard [Single Card]

Paula Modersohn-Becker (1876-1907) Nude Girl with Flower Vases, 1906-07

Paula Modersohn Becker: Nude Girl with Flower Vases [Postcard]

Paula Modersohn-Becker (1876-1907) Standing and Kneeling Nude Girls in Front of Poppies II, 1906

Paula Modersohn-Becker: Standing and Kneeling Nude Girls in Front of Poppies II [Postcard]

Paula Modersohn-Becker (1876-1907) Self-Portrait with Two Flowers in Her Raised Left Hand, 1907

Paula Modersohn-Becker: Self-Portrait with Two Flowers [Postcard]

A set of creature-themed cards featuring images from the Wiener Werkstätte. The Wiener Werkstätte, or Vienna Workshops, designed and produced a series of nearly one thousand postcards from 1911 to 1912 until the beginning of the First World War. The visionary artists and designers behind the movement valued the postcard as an ideal format for their own social and aesthetic program: to imbue objects of daily use with beauty and the elements of good design. In 2010, the Neue Galerie presented an exhibition of Wiener Werkstätte postcards generously donated by the Leonard A. Lauder Collection, and celebrated the exhibition with the publication Postcards from the Wiener Werkstätte: A Catalogue Raisonné. In this set, postcards have been formatted as greeting cards, but maintain the true spirit of the originals. Notecard Box Set:12 cards and envelopes2 each of 6 images5 x 7 inches

Wiener Werkstätte Creatures Notecard Set

Edited by Janis Staggs As inviting and sensual as a warm summer day, this opulent exhibition catalog offers a deep appreciation of Klimt’s ornate, exquisitely detailed, and atmospheric landscape paintings.For the last twenty years of his career, Gustav Klimt devoted considerable energy to painting landscapes during his summer vacations—and these bucolic scenes became some of his most sought-after pictures. Filled with vibrant high-quality reproductions and featuring engaging essays by leading scholars in the field, this exhibition catalog situates Klimt’s landscapes alongside fin-de-siècle fashion, photography, and decorative arts of the Wiener Werkstätte in particular. Klimt’s landscapes are examined within the context of his larger oeuvre and traces the evolution of his style: from one informed by the academic tradition, to his ornate “golden style” decorative approach influenced by the ideal of the Gesamtkunstwerk, and then to a more painterly manner of working in pure color. The book also considers Klimt’s relationship with his muse, fashion designer Emilie Flöge; his deep engagement with the Viennese avant-garde; and the specific techniques he employed to achieve mesmerizing, harmonious works that literally shimmer with light and color. Hardcover344 pagesPrestel, 20249.25 x 1.14 x 11.22 inchesISBN 9783791377360Neue Galerie Exhibition Catalogue

Klimt Landscapes Exhibition Catalogue

Austrian painter Gustav Klimt (1862-1918) is renowned for his provocative allegories and for his sensuous portraits of women—commissions of the latter supported him financially for the last twenty years of his career. During the same period, he also devoted considerable energies to contemplative landscapes, which were undertaken during his Sommerfrische (summer holidays) spent in the region near Salzburg renowned for its lakes and alpine terrain. Although these paintings were created purely for Klimt's pleasure, they became among the most sought-after canvases by the artist. Contained in this boxed set are reproductions of six of Klimt's most important landscapes. Completed between 1900 and 1914, these pictures demonstrate the range of the artist's fascination with the locale. He focused on fruiting orchards and reflecting ponds, flowering gardens and blooming meadows, as well as distinct architectural structures situated in bucolic settings. This selection of verdant scenes has a universal appeal, capturing nature at the height of its beauty and affirming Klimt's unique artistic achievements. Images include:The Large Poplar I, 1900Avenue in the Park of Schloss Kammer, 1912Forester's House in Weissenbach II (Garden), 1914Park at Kammer Castle, 1909Sunflower, 1907-08Poppy Field, 1907 Notecard Box Set:12 square notecards and envelopes2 each of 6 images6 x 6 inches

Gustav Klimt Landscapes Notecard Set

Gustav Klimt (1862-1918)The Park, 1909Poster for the exhibition Klimt Landscapes.16 x 20 inches

Klimt Landscapes Exhibition Poster

Original Price: $50 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Tobias G. Natter This unique and utterly fascinating appreciation of Gustav Klimt’s oeuvre reveals some of his most famous works in their original settings and offers valuable historic insight into his artistic vision. Interior design was supremely important to Gustav Klimt, and many of his paintings were created for specific settings or spaces. This aspect of Klimt’s practice comes beautifully to life in this book that illustrates how some of the artist’s most beloved canvases appeared in situ—in private dining rooms and salons, galleries, museums, and public exhibition spaces. Works such as the portraits of Emilie Flöge and Hermine Gallia, the shocking Nuda Veritas, and landscapes A Morning by the Pond and The Tall Poplar I are presented in double-page spreads. Full-color reproductions of paintings by Klimt are juxtaposed with black-and-white vintage photographs of the original interiors with the featured paintings overlaid in color. Thoughtful and personal texts by Klimt scholar Tobias Natter accompany each spread, providing invaluable contextual insight about how these pictures were conceived as part of the interior design of their respective rooms and spaces, and the passionate collectors who first owned these pictures. Meticulously produced and packaged, this book provides a refreshing perspective on Klimt’s oeuvre and artistic vision. Hardcover140 pagesPrestel, 20239.5 x 1 x 11.5 inchesISBN 9783791379784Gustav Klimt, Art History

Gustav Klimt: Interiors

Austrian painter Gustav Klimt (1862-1918) is renowned for his provocative allegories, contemplative landscapes, and most of all for his sensuous portraits of women. Klimt himself expressed a special preoccupation with women above all other subjects. Included in this boxed set are reproductions of Klimt's most acclaimed female portraits. Klimt's style matured over the course of his career from ethereal and feminine depictions, to examples in his so-called "golden style," and to later works that show his fascination with color, decorative ornament and his admiration of Asian art. Painted between 1901 and 1918, these pictures capture how his sitters evolved from keepers of the domestic realm to modern women, who embraced life with greater agency and self-determination. Together, they convey a sense of Klimt's obsession with the allure and intrigue of women, and their appreciation of his ability to transform them into icons of feminine beauty and grace. Images include:Portrait of Adele Bloch-Bauer I (detail), 1907Portrait of Amalie Zuckerlandl (detail), 1917-18 (unfinished, and possibly started as early as 1913-14)Portrait of Elisabeth Lederer (detail), 1914-16The Black Feather Hat (detail), 1910The Dancer (detail), 1916-17 (unfinished)Portrait of Fritza Riedler (detail), 1906Portrait of Gertha Loew (detail), 1902Judith I (detail), 1901 Notecard Box Set:16 notecards and envelopes2 each of 8 images5 x 7 inches

Gustav Klimt Women Notecard Set

Spiral-bound notebook, featuring Jagdfalke (Hunting Falcon), 1910-11, block-printed textile and wallpaper design by Josef Hoffmann (1870-1956). 5¾ x 8½ in.60 unlined pages

Josef Hoffmann Bellflower Notebook

Spiral-bound notebook, featuring the Portrait of Adele Bloch-Bauer (1907) by Gustav Klimt 5¾ x 5¾ in.60 unlined pages

Square Adele Bloch-Bauer Notebook

By Andrew S. Dolkart Neue Galerie New York opened in 2001 in a distinguished home: a 1913 Beaux-Arts mansion designed by Carrère and Hastings, one of the preeminent architectural firms of its era. The house was commissioned by William Starr and Edith Warren Miller, both members of old and established American families. It was later occupied by Mrs. Cornelius Vanderbilt III. The mansion was purchased in 1994 by Serge Sabarsky and Ronald Lauder, with the intention of turning it into a museum for German and Austrian art. Architect Annabelle Selldorf was given the considerable task of transforming the building into a modern museum. Architectural historian Andrew Dolkart recounts the colorful history of the building on its journey from mansion to museum. In the process, he illuminates the social changes of New York over the course of a century. Hardcover79 pagesNeue Galerie New YorkExpanded and revised edition, 20239.1 x 6.6 x 1.1 inchesISBN 9781931794213 History, Architecture

1048 Fifth Avenue: From Mansion to Museum

With a foreword by Ronald S. Lauder and a preface by Renée PriceThis sumptuous book commemorates the twentieth anniversary of the Neue Galerie New York and includes highlights of the museum’s collection. Austrian and German Masterworks: Twentieth Anniversary of the Neue Galerie New York printed by Prestel in 2021, is the updated version of the Masterworks from Neue Galerie New York catalogue. Modern Worlds: Austrian and German Art, 1890-1940, printed by Prestel in 2021, is the unabridged Neue Galerie collection catalogue, complete with extensive essays and 286 plates. The Neue Galerie New York opened in November 2001, showcasing its collection of Austrian and German art from 1890 to 1940. This publication is issued in celebration of the museum’s twentieth anniversary and includes a number of major new acquisitions. The Austrian holdings encompass significant paintings by Gustav Klimt, Egon Schiele, Oskar Kokoschka, Carl Moll, and Richard Gerstl. Decorative arts made by the Wiener Werkstätte (Vienna Workshops, 1903-32) are another area of strength, in particular the designs of Josef Hoffmann, Koloman Moser, and Dagobert Peche. The German holdings emphasize the Expressionist movement, with canvases by members of the Brücke, including Erich Heckel, Ernst Ludwig Kirchner, Max Pechstein, and Karl Schmidt-Rottluff. Artists affiliated with the Blaue Reiter (Blue Rider), such as Vasily Kandinsky, Paul Klee, August Macke, Franz Marc, and Gabriele Münter, figure prominently. The Neue Sachlichkeit (New Objectivity) movement is well represented by Max Beckmann, Otto Dix, George Grosz, and Christian Schad. Works by leading proponents of Dada are another special interest, with a focus on John Heartfield, Hannah Höch, and Kurt Schwitters. Iconic creations by members of the Bauhaus represent additional highlights, including objects by Marcel Breuer, Marianne Brandt, Ludwig Mies van der Rohe, and Wilhelm Wagenfeld, as well as art by Lyonel Feininger, László Moholy-Nagy, and Oskar Schlemmer.Hardcover280 pages; 327 color illustrations, 3 b/w illustrationsPrestel, 20219.25 x 11.25 inchesISBN 9783791379531Neue Galerie Exhibition Catalogue

Austrian and German Masterworks: Twentieth Anniversary of the Neue Galerie New York

By Auschwitz-Birkenau MemorialEdited by Maria ZalewskaForeword by Ronald S. LauderMore than a cookbook, this collection of heirloom recipes conveys Auschwitz-Birkenau survivors’ stories through the mnemonic lens of cooking and food. Collected and edited during the pandemic, this book—in the words of Ronald S. Lauder, Chairman of the Auschwitz-Birkenau Memorial Foundation—“is a story of hope and triumph of the human spirit.” Over 110 recipes accompanied by survivors’ pre-war recollections and post-liberation memories weave a unique tapestry of sensory experiences of flavors and aromas from the old world, accounts of loss and trauma, as well as heartwarming and poignant tales of new beginnings and healing. All of the recipes have been tested and retested to make sure they can be replicated in your kitchen while keeping the original character and voice of the survivors who contributed to the volume. Delicious recipes include Blintzes, Kugel, Matzo Ball Soup, Cholent, Goulash, Kasha Varnishkes, Rugelach, and more. Plus, there is a special chapter devoted to classic dishes for the Jewish holidays (Latkes, Charoset, Gefilte Fish, Knishes, Tzimmes, Challah, and others) that you can use to prepare, host, or bring food to a gathering. All proceeds from the sale of this book go to the Auschwitz-Birkenau Memorial Foundation.Hardcover256 pagesMelcher Media Inc, 20228 x 10 inchesISBN 9781595911230Cookbook

Honey Cake & Latkes: Recipes from the Old World by the Auschwitz-Birkenau Survivors

THORNWILLOW PRESS FOR NEUE NOWVienna 1900 personalized note cards, inspired by a Koloman Moser design (ca. 1903) and the Vienna 1900 love affair with the square.Hand-engraved in copper plate, your name is stamped in luminous gold ink on heavy archival stock. Envelopes are personalized with return address and lined by hand in Klimt-blue tissue. Set of 50 note cards and envelopes. • Flat Card, 6 3/16 x 4 5/16 in.• Radiant white, heavyweight (200 lb) archival paper• Vellum-smooth finish welcomes all types of ink and graphite• Luminous gold archival ink and matching edge-stain• Hand-engraved in 11 pt Neue Galerie signature typeface• Klimt-blue tissue-lined envelopes, personalized with burnished gold return address (9 pt)• Archival, metal-edged storage box A sales associate will contact you to personalize your order.Once confirmed, design cannot be altered or cancelled.Please allow 21-28 days, estimated, for delivery.Not eligible for Membership discounts.This product is made using traditional techniques and historic machinery. Each flat card bears the Thornwillow maker's mark, guaranteeing that it meets the high standards of quality and craftsmanship

Vienna 1900 Custom Note Cards and Envelopes

Edited by Christopher HaileyContributions by Antony Beaumont, Leon Botstein, Regina Busch, Nicholas Chadwick, Mark DeVoto, Douglas Jarman, Sherry Lee, and Margaret Notley "Hailey's introductory chapter is remarkable for the amount of evocative and trenchant detail he has managed to offer in a small space; it may well be the best writing about this milieu since Carl Schorske's Fin-de-Siecle Vienna thirty years ago. . . . It is an unexpected delight that a real portrait emerges in this volume."—William R. Braun, Opera News"[This collection] should be welcomed . . . as one of the most important and perceptive books on Berg to appear for many years."—Nicholas Baragwanath, Music and Letters"These translations alone make this a valuable contribution to our understanding of Berg the man as well as to Berg the composer."—Contemporary Review Alban Berg and His World is a collection of essays and source material that repositions Berg as the pivotal figure of Viennese musical modernism. His allegiance to the austere rigor of Arnold Schoenberg's musical revolution was balanced by a lifelong devotion to the warm sensuousness of Viennese musical tradition and a love of lyric utterance, the emotional intensity of opera, and the expressive nuance of late-Romantic tonal practice. The essays in this collection explore the specific qualities of Berg's brand of musical modernism, and present newly translated letters and documents that illuminate his relationship to the politics and culture of his era. Of particular significance are the first translations of Berg's newly discovered stage work Night (Nocturne), Hermann Watznauer's intimate account of Berg's early years, and the famous memorial issue of the music periodical 23. Contributors consider Berg's fascination with palindromes and mirror images and their relationship to notions of time and identity; the Viennese roots of his distinctive orchestral style; his links to such Viennese contemporaries as Alexander Zemlinsky, Franz Schreker, and Erich Wolfgang Korngold; and his attempts to maneuver through the perilous shoals of gender, race, and fascist politics. Paperback392 pagesPrinceton University Press, 2010 6 x 1 x 9 inchesISBN 9780691148564Music, Biography, Vienna, Essays

Alban Berg and His World

By Gilles Néret Tamara de Lempicka (1898–1980) lived art in the fast lane. With an appetite for glamour and fame as much as Left Bank bohemianism, she fled St. Petersburg after the Bolshevik revolution and set about taking Paris by storm. Her prolific, monumental oeuvre remains one of the most vivid visual documents of 1920s Art Deco. De Lempicka’s style deployed cool colors and tight post-cubist forms into an at once neoclassical and voluptuous figuration. Her subjects are often nude and always sensual, aloof, and powerful. Bedecked in seductive light and textures, they command our attention but typically avert their gaze with an aspect of haughty grandeur. They include both high-society patrons and progressive portraits of emancipated and lesbian women, such as Women Bathing and Portrait of Suzy Solidor. De Lempicka’s notorious Self-Portrait in the Green Bugatti, meanwhile, was commissioned for the cover of German magazine Die Dame and became an icon of speed, sophistication, and female independence. Through some of de Lempicka’s finest, most compelling portraits, this introduction explores the artist’s unique visual language and its privileged place not only in the annals of interwar art but also in the history of female artists and our collective consciousness of the Roaring Twenties. Hardcover96 pagesTaschen, 20178.46 x 0.47 x 10.43 inchesISBN 9783836532273 Post-Cubism, Art Deco

de Lempicka

By Franz KafkaTranslated by Willa and Edwin Muir “Kafka engaged in no technical experiments whatsoever; without in any way changing the German language, he stripped it of its involved constructions until it became clear and simple, like everyday speech purified of slang and negligence. The common experience of Kafka’s readers is one of general and vague fascination, even in stories they fail to understand, a precise recollection of strange and seemingly absurd images and descriptions—until one day the hidden meaning reveals itself to them with the sudden evidence of a truth simple and incontestable.” —Hannah Arendt This collection brings together the stories that Kafka allowed to be published during his lifetime. To Max Brod, his literary executor, he wrote: "Of all my writings the only books that can stand are these." Paperback315 pagesThe Schocken Kafka Library, 1995The Metamorphosis was originally published in 19155.2 x 0.6 x 8 inchesISBN 9780805210576Short Stories

The Metamorphosis & Other Stories

By Brothers GrimmIllustrated and retold by Paul O. Zelinsky Caldecott Medal Winner Surely among the most original and gifted of children’s book illustrators, Paul O. Zelinsky has once again with unmatched emotional authority, control of space, and narrative capability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky’s retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story’s fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture, interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child’s inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginning of their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky’s work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.Hardcover48 pagesAge range: 5-8Dutton Books for Young Readers, 19979 x 12 inchesISBN 9780525456070Children's, Story Book

Rapunzel

Edited by Régine Bonnefoit and Marie-Eve Celio-Scheurer Viennese Textiles from the Cotsen Textile Traces Study Collection This book presents new research and archival findings on the textile and fashion designs of the Wiener Werkstätte movement (1903–1932). Textile specialists, art and design historians offer insights into the most important collections and archives in Austria, Switzerland, and the US.The publication explores works by lesser-known female textile artists; the influence of Eastern European folk art, Japanese patterns, and ornamentation textbooks on textile designs; applications in fashion, interior design, film, theater; and marketing strategies used to enter new markets in the US.It includes numerous illustrations of textile samples, many drawn from the Cotsen Textile Traces Study Collection (George Washington University Museum / Textile Museum), one of the largest collections of Wiener Werkstätte fabrics in the US.Hardcover208 pages | 56 color and 27 black-and-white illustrationsBirkhäuser, 20236.8 x 9.5 inchesISBN 9783035627640Textiles, Applied Arts

Tracing Wiener Werkstätte Textiles

Gustav Marisch (1871-1961)Stylized Flowers, 1912Wiener Werkstätte Postcard 7821 notecard and envelope5.75 x 8.75 inches

Gustav Marisch: Stylized Flowers, 1912 [Large Single Card]

By Seng Soun Ratanavanh George learns to overcome his fear of the dark with the help of his new nighttime friends, an ensemble of endearing animals rendered in celebrated illustrator Seng Soun Ratanavanh's wondrous, dreamy style. In his cozy house on his cozy street, George slips into bed, but sleep will not come. He is afraid of the dark and wishes for even one small nighttime friend to help him. When a little mouse appears, a night of adventure begins. George meets new friends, like a piano-playing bunny with stage fright and a penguin afraid of water. He learns that everyone has fears, and good nighttime friends can help you overcome them all—and have fun along the way! Each page is filled with stunning, vibrant details perfect for an imaginative bedtime story. Fans of the Miyuki series will be delighted to discover this new classic, for the first time both written and illustrated by Seng Soun Ratanavanh.Hardcover40 pagesAge range: 5-8 yearsPrinceton Architectural Press, 20219.15 x 0.5 x 12.9 inchesISBN 9781648960703Children's Book, Illustration

George and His Nighttime Friends

Von Sandra Tretter und Peter Weinhäupl (Hg.) Die Klimt-Foundation widmet den vierten Band der Edition Klimt der sinnlich-emotionalen Naturverbundenheit des Malers. Gustav Klimt (1862-1918) führte zeit seines Lebens einen künstlerischen Dialog mit den Formen und Farben der Natur. Üppig tragende Obstbäume, blühende Wiesen und mystiche Waldeinblicke charakterisieren sein florales Werk und spiegeln wohl auch seine tatsächliche Sehnsucht wider - nach einem sorgenfreien, genussvollen Leben im zauberhaften Gartenparadies, das "einem Sternenhimmel gleicht". Das vorliegende Buch beleuchtet - vor dem Hintergrund des "blühenden" Jugendstils und der Gartenbewegungen um 1900 - Klimts sensible Auseinandersetzung mit der Welt der Blumen, Bäume und Blüten, ausgehend von seinen frühen realistischen Waldansichten hin zu den moderngewagten Bildausschnitten der berühmten Attersee-Landschaften und Gartenbildnisse bis zu den späten Porträts mit floralem Dekor. Inspiriert durch österreichische Wegbereiter und internationale Strömungen fand der Jugendstilkünstler seinen charakteristischen Stil. Vor allem aber bereicherten der Hinterhofgrünraum seines Josefstädter Ateliers, der verwunschene Künstlergarten im Biedermeieratelier in Hietzing und sein motivisch ausgiebigster "Sehnsuchtsort" Attersee Klimts Kunstnatur. Paperback155 pagesText in GermanBrandstätter Verlag, 201920.3 x 1.5 x 20.4 cmISBN 9783710601163Artist Monograph, Landscape Painting

Gustav Klimt: Florale Welten

By Franz KafkaEdited by Erich Heller and Jurgen BornTranslated by James Stern and Elisabeth Duckworth “Some of the most heartrending ‘love letters’ ever written.”—Morris Dickstein, The New York Times Book Review“Kafka’s correspondence with Felice has all the earmarks of his fiction—the same nervous attention to minute particulars, the same paranoid awareness of shifting balances of power, the same atmosphere of emotional suffocation—combined, surprisingly enough, with moments of boyish ardor and delight. Taken together, Elias Canetti observes, the letters provide an index of the emotional events that would inspire The Trial—a novel, Canetti argues, in which Kafka’s engagement to Felice is reimagined as the mysterious and menacing arrest of the hero.”—Michiko Kakutani, The New York Times Franz Kafka met Felice Bauer in August 1912, at the home of his friend Max Brod. Energetic, down-to-earth, and life-affirming, the twenty-five-year-old secretary was everything Kafka was not, and he was instantly smitten. Because he was living in Prague and she in Berlin, his courtship was largely an epistolary one—passionate, self-deprecating, and anxious letters sent almost daily, sometimes even two or three times a day. But soon after their engagement was announced in 1914, Kafka began to worry that marriage would interfere with his writing and his need for solitude.The more than five hundred letters Kafka wrote to Felice—through their breakup, a second engagement in 1917, and their final parting in the fall of that year, when Kafka began to feel the effects of the tuberculosis that would eventually claim his life—reveal the full measure of his inner turmoil as he tried, in vain, to balance his desire for human connection with what he felt were the solitary demands of his craft. Paperback624 pagesSchocken, 20166.1 x 1.3 x 9.2 inchesISBN 9780805208511Letters, Correspondence

Letters to Felice

By Franz KafkaTranslated by Philip Boehm “The voice of Kafka in Letters to Milena is more personal, more pure, and more painful than in his fiction: a testimony to human existence and to our eternal wait for the impossible. [This is] a marvelous new edition of a classic text.” —Jan Kott“An extraordinary document—touching, horrifying, brilliant, sickly, heartbreaking, and infinitely convoluted . . . It reveals him most clearly (which is relative, and Kafka remains mystifying enough), and it is—aside from the beauty of the letters themselves—the most significant key we have for a reading of the author’s novels and short stories.” —The New York Times In no other work does Franz Kafka reveal himself as in Letters to Milena, which begins as a business correspondence but soon develops into a passionate but doomed epistolary love affair. Kafka's Czech translator, Milena Jesenská, was a gifted and charismatic twenty-three-year-old who was uniquely able to recognize Kafka's complex genius and his even more complex character. For thirty-six-year-old Kafka, she was "a living fire, such as I have never seen." It was to Milena that he revealed his most intimate self and, eventually, entrusted his diaries for safekeeping.Paperback293 pagesSchocken Books, 2015Originally published in 19525.2 x 0.9 x 8 inchesISBN 9780805212679Letters and Correspondence, Biography

Letters to Milena

By Franz KafkaNewly Translated and with a preface by Breon Mitchell "Kafka’s ‘legalese’ is alchemically fused with a prose of great verve and intense readability."—James Rolleston, professor of Germanic languages and literatures, Duke University"Breon Mitchell’s translation is an accomplishment of the highest order that will honor Kafka far into the twenty-first century."—Walter Abish, author of How German Is ItWritten in 1914, The Trial is one of the most important novels of the twentieth century: the terrifying tale of Josef K., a respectable bank officer who is suddenly and inexplicably arrested and must defend himself against a charge about which he can get no information. Whether read as an existential tale, a parable, or a prophecy of the excesses of modern bureaucracy wedded to the madness of totalitarianism, Kafka's nightmare has resonated with chilling truth for generations of readers. This new edition is based upon the work of an international team of experts who have restored the text, the sequence of chapters, and their division to create a version that is as close as possible to the way the author left it.In his brilliant translation, Breon Mitchell masterfully reproduces the distinctive poetics of Kafka's prose, revealing a novel that is as full of energy and power as it was when it was first written. Franz Kafka was born in 1883 in Prague, where he lived most of his life. During his lifetime, he published only a few short stories, including "The Metamorphosis", "The Judgment", and "The Stoker". He died in 1924, before completing any of his full-length novels. At the end of his life, Kafka asked his lifelong friend and literary executor Max Brod to burn all his unpublished work. Brod overrode those wishes. Paperback304 pagesRandom House, 1999Originally published in 19255.2 x 0.6 x 8 inchesISBN 9780805209990Fiction

The Trial

By Hermann HesseTranslated by Elisabeth LaufferIllustrated by Jakob Hübner"A charming book for nature and literature lovers...leaving audiences feeling as lucky to encounter it as Hesse felt about meeting his winged subjects."―Foreword Reviews This volume gathers the most alluring stories, recollections, contemplations and poems on butterflies by Herman Hesse. "I have always had a connection with butterflies and other fleeting and ephemeral beauties, while I have never succeeded in maintaining permanent, committed and so-called solid relationships," writes Hermann Hesse in a letter from 1926. This preference, occasionally resembling an elective affinity, for "flowers and butterflies, that are of everlasting things, a fleeting allegory" – as he says in one of his poems, has left its mark on Hesse’s entire oeuvre.Hardcover136 pages | 110 full-color engraved copper illustrations Kales Press, 20235.3 x 0.7 x 7.3 inchesISBN 9798985955859 Anthology, Nature Writing

Butterflies: Reflection, Tales, and Verse

By Adolf Loos Throughout his life Adolf Loos raised his eloquent voice against the squandering of fine materials, frivolous ornamentation and unnecessary embellishments. His admirers consider him to be the inspiration for all modern architecture. Yet, few are acquainted with his amusing, incisive, critical and philosophical literary work reflecting on applied design and the essence of clothing in fin de siècle Vienna. Adolf Loos often had a radical, yet innovative outlook on life that made him such a nuisance for many of his contemporaries. His provocative musings on many subjects portray him as a man of varied interests and intellectual refinement as well as possessing a keen sense of style, which still has value today. For the first time the ‘Loos Dress Code’ is available in English. Included is a short social/historical look as the birth of Modernism in Adolf Loos’ Vienna. Hardcover128 pagesMetroverlag, 20115.2 x 0.63 x 7.52 inchesISBN 9783993000400 Aesthetics

Why A Man Should Be Well Dressed

By Peter-Andre AltTranslated by Kristine A. Thorsen “Peter-André Alt’s Franz Kafka: The Eternal Son is a splendid conspectus of Kafka’s life and work, admirable for its scope and precision. It is the single best study of Kafka if one wishes to read Kafka’s writings as an imbrication of life experience and literary genius. Alt’s study is a rich, redoubtable mine of information and wisdom arising from the most scrupulous scholarly attention to Kafka’s work, body, and milieu.”—Stanley Corngold, author of Franz Kafka: The Ghosts in the Machine "A very welcome translation of excellent scholarship that forces us to question the relationship between an author's life and his work. In this crisp translation of the original, English readers will rediscover the joys of reading Kafka as he has never been presented before."—Richard Block, author of Echoes of a Queer Messianic: From Frankenstein to Brokeback MountainFranz Kafka remains one of the most influential writers of the twentieth century. His novels, stories, and letters are still regarded today as the epitome of the dark, fascinating, and uncanny, a model of the modernist aesthetic. Peter-André Alt’s landmark biography, Franz Kafka, the Eternal Son, recounts and explores Kafka’s life and literary work throughout the cultural and political upheavals of central Europe.Alt’s biography explores Franz Kafka’s own view of life and writing as a unity that shaped his identity. He locates links and echoes among the author’s work, life, and surroundings, situating him within the traditions of Prague's German literature, modernity, psychoanalysis, and philosophy as well as within its Jewish culture, arts, theater, and intellectual tradition.In this biographical tour de force, Kafka emerges as an observant flaneur and wistful loner, an anxious ascetic, an ecstatic and skeptic, a specialist in terror, and a master of irony. Alt masterfully illuminates Kafka's life not as source material but as a mirror of his literary genius. Paperback696 pagesNorthwestern University Press, 2018 7 x 2.2 x 10 inchesISBN 9780810126077Biography. Literary Critic

Franz Kafka, the Eternal Son: A Biography

By Alexander KleeEdited by Stella Rollig “With the deaths of Klimt, Schiele, Otto Wagner and Kolomon Moser, it has been thought that their creative energy came to a halt or mutated into other areas, such as the Bauhaus. This book charts a new trajectory in the art and artists of the successor states of the Empire entre deux guerres . . . . Much of this has not been explored except by specialists and this book will serve to alert a wider audience to the considerable riches of the Secession's afterlife.” ―The Art Newspaper The year 1918 marked the end of a golden era in central European art. It was the year that Gustav Klimt, Egon Schiele, Koloman Moser, and Otto Wagner died. Artistic activity, however, had already begun to move away from the highly decorative style of the Viennese Secession. Hardly affected by the political disruptions taking place, artists in the countries of the former Austro-Hungarian monarchy were busily productive in the years between the world wars, driven by a desire for a new start.This volume examines the fascinating, artistically fruitful epoch between the wars, when cosmopolitan networks of painters, architects, and sculptors transcended political and ideological borders. A lively artistic exchange took place—primarily through international magazines disseminating new styles and techniques—that stimulated constructivist, expressionist, and surrealist modes of art making in the former lands of the Austro-Hungarian monarchy. Richly illustrated throughout and including an introduction on the dissolution of the Austrian monarchy, this luxuriously produced volume is a must-have for lovers of modernist art. Hardcover374 pagesHirmer, 20189.2 x 1.5 x 11.2 inchesISBN 9783777430591European Art, Art History

Beyond Klimt: New Horizons in Central Europe

Edited by the Bauhaus Dessau Foundation “Art and technology: a new unity.”It was with this slogan that the Bauhaus—the German art school famous for combining crafts and the fine arts—moved to Dessau in 1925. The school’s seven years in this industrial city between the Elbe and Mulde Rivers were particularly productive for its designers and architects, who created a unique ensemble of modern architecture that attracts visitors from all over the world to Dessau to this day. Many of the Bauhaus buildings in Dessau are now regarded as key works of European Modernism and some have even become UNESCO World Heritage Sites. They express the revolutionary aim of the historical Bauhaus to bring about fundamental change in society through design and architecture.Exclusively published in co-operation with the Bauhaus Dessau Foundation and to coincide with the Bauhaus centenary in 2019, this brilliantly illustrated volume presents the Bauhaus buildings in Dessau in words and pictures and offers new perspectives on these icons of modern architecture. Hardcover144 pages8.2 x 0.7 x 10.5 inchesHirmer Publishers, 2019ISBN 9783777432021Bauhaus, Architecture

Bauhaus Dessau: Architecture

With an Introduction by Will StoneTranslated by Will StoneAn intimate glimpse into the life and letters of Rainer Maria Rilke, one of the most important poets of the twentieth century. In July 1921, displaced European poet Rainer Maria Rilke sequestered himself in the chateau of Muzot, a thirteenth-century medieval tower perched in the vineyards above the town of Sierre in the Canton Valais, Switzerland. In this sun-flooded landscape of the Rhone Valley, he found beguiling echoes of Spain and his beloved Provence. Here, the Duino Elegies were famously completed and the Sonnets to Orpheus followed. During this time, Rilke’s correspondence also bloomed, and Letters around a Garden collects some of those letters together into English for the first time. One intriguing exchange from 1924 to 1926 was with a young aristocratic Swiss woman Antoinette de Bonstetten, a passionate horticulturist who had been recommended as a potential advisor for the redesign and upkeep of the Muzot rose garden. In twenty-two precious letters originally written in French, Rilke relishes the prospect of their elusive meeting, keenly discusses the plans for his garden, and wittily laments the trials of his plants. Beyond the encomium for Paul Valéry and poignant memory of place are passages of exquisite writing, in which Rilke evokes with trademark sensitivity the delicate relationship between the changing seasons and the natural world of his adopted region. We also witness the loving relationship evolve between these sometime-fugitive correspondents and how questions of solitariness and companionship impinge on one who faces unaccustomed challenges as his health tragically declines.Paperback96 pages | 3 halftones Seagull Books, 20245 x 8 inches ISBN 9781803093345Literature, Letters

Letters around a Garden: Rainer Maria Rilke

By Lilli Hollein and Anne-Katrin RossbergFelice Rix-Ueno studied under Josef Hoffmann, a co-founder of the Wiener Werkstätte (1903–1932). Inspired by the Japanese formal language, she formed her own style, which was expressed in particularly imaginative fabric and wallpaper patterns, fashion and home accessories, and wall paintings.After her marriage to the Japanese architect Isaburo Ueno, she moved to Japan in 1926. There they created joint works that received much attention, such as the Star Bar in Kyoto, which was shown in the famous exhibition Modern Architecture in New York’s MoMA in 1932.Felice Rix-Ueno, who was already prominently represented in the successful MAK exhibition Women Artists of the Wiener Werkstätte, is given a substantial monographic treatment for the first time outside Japan with this catalog.Paperback192 pages | 119 color illustrations Text in German and EnglishBirkhäuser, 20236.6 x 9.5 inchesISBN 9783035628401Wiener Werkstätte, Artist Monograph, Japonism

Sterne, Federn, Quasten / Stars, Feathers, Tassels: The Wiener Werkstätte Artist Felice Rix-Ueno

The Wiener Werkstätte Flower Card Set: featuring eight illustrations by Otto Beran, Gustav Kalhammer, Leopoldine Kolbe, Bertold Löffler from 1907. The Wiener Werkstätte, or Vienna Workshops, designed and produced a series of nearly one thousand postcards from 1907 until the beginning of the First World War. The visionary artists and designers behind the movement valued the postcard as an ideal format for their own social and aesthetic program: to imbue objects of daily use with beauty and the elements of good design. In 2010, the Neue Galerie presented an exhibition of Wiener Werkstätte postcards generously donated by the Leonard A. Lauder Collection, and celebrated the exhibition with the publication Postcards from the Wiener Werkstätte: A Catalogue Raisonné. In this set, postcards have been formatted as greeting cards, but maintain the true spirit of the originals. Notecard Box Set:16 cards and envelopes2 each of 8 images4 ¾ x 6 ⅞ inches

Wiener Werkstätte Flower Notecard Set

By Nadine RobertIllustrated by Gérard DuBois A 2021 New York Times/New York Public Library Best Illustrated Children’s BookWhat’s on the other side of the forest? A young rabbit and his father are determined to find out in this modern picture book that “feels like a vintage gem” (The New York Times), calling to mind the tender work of Beatrix Potter. Some say that wolves, ogres, and giant badgers live in the forest beside Arthur’s house. That’s why no one ever goes in there, to see what’s on the other side. But one day, Arthur’s dad has an idea—a magnificent idea! Build a tower to look over the treetops! But a magnificent idea takes a lot of work. Will the villagers join and help them? And when the tower takes shape, what will they see on the other side?This wonderful, heartwarming story by Nadine Robert—with illustrations by Gérard DuBois reminiscent of classic children’s books—shares the importance of community and cooperation to achieve a big dream.Hardcover72 pagesAge range: 3-8Greystone Kids, 20218.25 x 0.75 x 11 inchesISBN 9781771647960Children's Book, Illustration

On the Other Side of the Forest

Edited with text by Kristina LemkeText by Jens Bove, Wolfgang Brückle, Anne Vitten, Patrick Rössler, Rolf Sachsse, Birgit Schillak-Hammers, and Steffen Siegel Dazzling photographs from one of the most radical periods in modern photography This volume offers insight into one of photographic history’s most fruitful moments—the interwar period in Central Europe. Thematic chapters present works by Gertrud Arnd, Ilse Bing, Karl Blossfeldt, Lotte Jacobi, André Kertész, Lucia Moholy, August Sander, Umbo and many others. Paperback300 pages | 148 color illustrationsText in German and English9.5 x 11.25 inchesKerber, 2021ISBN 9783735607454Photography, Central Europe

New Ways of Seeing: Photography of the '20s and '30s

Text by Diane V. Silverthorne, Dan Reynolds, Megan Brandow-FallerA landmark of graphic modernism, the Vienna Secession’s magazine is brought to life in a complete facsimile reprint with new essays and translationsThe brainchild of Koloman Moser, Alfred Roller, Josef Hoffmann, Bertold Löffler and others—the leading graphic artists of the Vienna Secession and the Wiener Werkstätte—Die Fläche (German for The Surface) laid out an extraordinary group vision for design through adventurous work by these designer-professors and more than 100 of their students. Packed with bold ideas for posters, advertisements, book covers, woodcut prints and much more, the result is an inexhaustibly rich sourcebook of graphic forms, modern ideas and technical experiments, all reflecting a reorientation in design practice and teaching that would resonate around the world.This full-size facsimile of all 14 issues of Die Fläche lets readers experience this rare gem as it was meant to be seen, while new essays and translations explore its significance.Die Fläche is the first volume in Letterform Archive’s facsimile series, which presents landmarks of print and design history with exacting reproductions and new essays that provide rich context and fresh insights. Hardcover344 pages | 400 color, 25 black-and-white imagesLetterform Archive Books, 20238.7 x 1.6 x 13.2 inchesISBN 9781736863312Viennese Secession, Graphic Design

Die Fläche: Design and Lettering of the Vienna Secession, 1902–1911

Moriz Jung (1885-1915)Tête-à-Tête on the 968th Floor of a Skyscraper, 1911Wiener Werkstätte Postcard 3401 notecard and envelope5.75 x 8.75 inches

Moriz Jung: Tête-à-Tête on the 968th Floor of a Skyscraper, 1911 [Large Single Card]

Edited by Lothar SchirmerText by Elisabeth BronfenAn anthology of woman photographers portraying women from the 19th century to the present day. A red-hot reference book in times of #MeToo and gender discussions.Hardcover280 pages | 159 color and duotone platesSchirmer Mosel Verlag, 2020Text in German and English‎8.07 x 11.42 inchesISBN 9783829609005Photography, Women in Art

Frauen Sehen Frauen ― Women Seeing Women

By Rainer Maria RilkeEdited and translated by Ulrich BaerRainer Maria Rilke's poetry and letters have inspired countless readers around the world with their wisdom and insight into how we can be more than ourselves without recourse to religion, politics, or ideology: through the experiences of art and love. Gathered here for the first time in original translations are Rilke's candid, piercing, and lyrical reflections on love–the experience he considered paramount for human existence but also, with the exception of death, the event for which we are least prepared. Selected from Rilke's poetry and his vast correspondence, these passages present Rilke's contemplations on falling in love, being in love, losing love, and the mystical ways in which love endures.Paperback136 pagesWarbler Press, 20205 x 7.8 x .3 inchesISBN 9781734588125Poetry, Letters

Rilke on Love

By Friedrich Nietzsche Edited and translated by Ulrich Baer Friedrich Nietzsche presented many of his greatest insights in pithy, well-turned short phrases that do not follow any philosophical dogma. Instead, his chastening but ultimately life-affirming philosophy puts forth true love and friendship as our best hope in dark times. Here are Nietzsche’s key sayings about love from the vast body of his philosophical writings, which have influenced politics, philosophy, art and culture like few other works of world literature. As the first edition of its kind, this collection presents Nietzsche’s thoughts on love not as academic philosophy but as a guide to life. At turns delightful and astute—and always wise—Nietzsche on Love offers an original and startling glimpse into what one of the world’s foremost thinkers says about the fundamental experience of our lives. Friedrich Nietzsche (1844-1900) was a German philosopher, cultural critic, composer, poet, philologist, and Latin and Greek scholar. One of the greatest thinkers of all time, his ideas have exerted an immeasurable influence on philosophy, politics, art, literature, psychology, and popular culture around the world.Paperback 138 pages Warbler Press, 20205.06 x 0.35 x 7.81 inchesISBN 9781734452570Poetry, Letters

Nietzsche on Love

Attributed to Wenzel Oswald (1883-unknown)Heart Leaves on Branches, 1907Wiener Werkstätte Postcard 691 notecard and envelope4 ¼ x 6 inches

Wenzel Oswald: Heart Leaves on Branches, 1907 [Single Card]

By Adrián Prieto and Christian Witt-Dörring The Viennese architect and ‘allround designer’ Josef Hoffmann (1870–1956) is much more than just the founder of the Wiener Werkstätte. This book offers a wide-ranging look at his oeuvre, which took shape over no less than sixty years. The timeless beauty of Hoffmann’s creations demonstrates his importance not just as a historical figure, but as a source of inspiration for several generations.Richly illustrated with furniture, objects, designs, textiles, photos, drawings and documents. Special attention is paid to his creative method and his misunderstood use of color.The project was developed in collaboration with Vienna’s Museum of Applied Arts (MAK) and is one of the eye-catchers of Art Nouveau Brussels 2023. This monograph accompanies the exhibition Josef Hoffmann – Falling for Beauty at the Art & History Museum in Brussels from 6 October 2023 to 14 April 2024.Hardcover208 pages | 67 color and 98 black-and-white illustrationsHannibal Books, 20239.45 x 10.63 inchesISBN 9789464666779 Artist Monograph, Design

Josef Hoffmann: Falling for Beauty

Master Calligrapher Bernard Maisner for Neue NOW Steel engraved in black and gold100% cotton 3-ply fold cream-colored card with matching envelope4½ x 6 in.

Dankeschön Fold Card

By Xavier F. Salomon, with Aimee Ng and Giulio DalvitForeward by Simon SchamaIllustrated by Luis SerranoJoin the curators of the Frick as they present engaging histories of works of art paired with creatively inspired cocktails—a crash course in art history and a delightful introduction to the treasures of the esteemed New York collection.Based on the critically acclaimed video series of the same name, Cocktails with a Curator is a collection of lively and informative essays. Paintings, sculpture, furniture, and porcelain—from medieval times through the glorious Renaissance to the early twentieth century—are discussed for their exemplary status. The creators are some of the greatest artists and include Rembrandt, Vermeer, Whistler, Manet, Velázquez, and Veronese, and the stories (of both artists and subjects) are tantalizing. Cocktails, with recipes, are thematically paired with the works: a Jaded Countess (absinthe, vodka, lemon juice, and simple syrup) with Ingres’s portrait Comtesse d’Haussonville; a classic Pimm’s Cup with Gainsborough’s depiction of English beauty Grace Dalrymple Elliott; and a Bloody Mary (named after the last Catholic regnant queen of England) with Holbein’s painting of Sir Thomas More, who opposed the Reformation of Mary’s father, Henry VIII. The perfect addition to any art connoisseur’s library, this book is an innovative and intoxicating way to enjoy the treasures of a world-renowned art collection.Hardcover288 pagesRizzoli Electa, 20227.8 x 1.3 x 9.8 inchesISBN 9780847872466Culinaria

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