Literature

By Rainer Maria RilkeTranslated by Ulrich Baer In 1903, a student at a military academy sent some of his verses to a well-known Austrian poet, requesting an assessment of their value. The older artist, Rainer Maria Rilke (1875–1926), replied to the novice in this series of letters — an amazing archive of remarkable insights into the ideas behind Rilke's greatest poetry. The ten letters reproduced here were written during an important stage in Rilke's artistic development, and they contain many of the themes that later appeared in his best works. The poet himself afterwards stated that his letters contained part of his creative genius, making this volume essential reading for scholars, poetry lovers, and anyone with an interest in Rilke, German poetry, or the creative impulse.Hardcover74 pagesInsel Verlag GmbH, 2018Originally published in 19294.8 x 7.4 inchesISBN 9783458194507 Classic Literature

Letters to a Young Poet

Written and Illustrated by Nicolas MahlerTranslated by Alexander Booth "If you are Nicolas Mahler, the writer and illustrator of a short but engaging graphic biography of the man, you’d see [Kafka] as a sort of blob of hair and eyebrows on a stick. The illustrations of Completely Kafka may look rudimentary, but they work. In fact they’re similar in style to the doodles Kafka himself would make in his notebooks."—Spectator "Much the best thing about the book are the charming black and white drawings. The best are the drawings of Kafka himself, drawn in thick brushstroke. Some are like cartoons, a few are more like Kafka’s own drawings, angular, isolated."—Jewish Chronicle A delightfully witty and original graphic biography of Kafka, published to coincide with the centenary of the author’s death The young Franz Kafka has too many fears to name. Mirrors, clothing, his own body, almost everything causes him to fret. How did this ‘anxious and small bundle of bones’ become one of the world’s great writers? With telling details and sharply minimal illustrations, Nicolas Mahler tells a wickedly funny story of the development of Kafka’s genius, offering a tribute that is as playful as it is profound. Paperback128 pages Pushkin Press, 20245.35 x 8.44 inchesISBN 9781805331582Biography, Historic Graphic Novel

Completely Kafka: A Comic Biography

By Franz KafkaTranslated by Idris Parry A brilliant translation of one of the greatest works of Franz Kafka, author of Metamorphosis, telling the haunting story of a man’s desperate search for answers amid his prosecution for an unknown crime. A terrifying psychological trip into the life of one Joseph K., an ordinary man who wakes up one day to find himself accused of a crime he did not commit, a crime whose nature is never revealed to him. Once arrested, he is released, but must report to court on a regular basis—an event that proves maddening, as nothing is ever resolved. As he grows more uncertain of his fate, his personal life—including work at a bank and his relations with his landlady and a young woman who lives next door—becomes increasingly unpredictable. As K. tries to gain control, he succeeds only in accelerating his own excruciating downward spiral. Paperback208 pagesPenguin Random House, 2024Originally published in 19255-1/16 x 7-3/4 inchesISBN 9780241678893Literature

The Trial (Penguin Classics)

By Franz KafkaIntroduction by Idris ParryTranslated by J. A. Underwood An acclaimed translation of the final work by Franz Kafka—author of Metamorphosis and some of the twentieth century’s greatest literature—following the story of a man’s bizarre, unending struggle to carry out his mysterious new job The Castle is the story of K., the unwanted land surveyor who is never to be admitted to the Castle nor accepted in the village, and yet cannot go home. As he encounters dualities of certainty and doubt, hope and fear, and reason and nonsense, K.’s struggles in the absurd, labyrinthine world where he finds himself seem to reveal an inexplicable truth about the nature of existence. Kafka began The Castle in 1922 and it was never finished, yet this, the last of his three great novels, draws fascinating conclusions that make it feel strangely complete. Paperback320 PagesPenguin Classics, 2024Originally Published in 19265-1/16 x 7-3/4 InchesISBN 9780241678916Literature, Fiction

The Castle (Penguin Classics)

By Yoko TawadaTranslated by Susan Bernofsky "Yoko Tawada conjures a world between languages. . . . She is a master of subtraction, whose characters often find themselves stripped of language in foreign worlds."― Julian Lucas, The New Yorker "Tawada is interested in language at its most elusive or incomprehensible."― Natasha Wimmer, The New York Review of Books A moving story about friendship, illness, and the poetry of Paul Celan by the astonishing Yoko Tawada, winner of the National Book Award Patrik, who sometimes calls himself “the patient,” is a literary researcher living in present-day Berlin. The city is just coming back to life after lockdown, and his beloved opera houses are open again, but Patrik cannot leave the house and hardly manages to get out of bed. When he shaves his head, his girlfriend scolds him, “What have you done to your head? I don’t want to be with a prisoner from a concentration camp!” He is supposed to give a paper at a conference in Paris, on the poetry collection Threadsuns by Paul Celan, but he can’t manage to get past the first question on the registration form: “What is your nationality?” Then at a café (or in the memory of being at a café?), he meets a mysterious stranger. The man’s name is Leo-Eric Fu, and somehow he already knows Patrik… In the spirit of imaginative homage like Roberto Bolaño’s Monsieur Pain, Antonio Tabucchi’s Requiem, and Thomas Bernhard’s Wittgenstein’s Nephew, Yoko Tawada’s mesmerizing new novel unfolds like a lucid dream in which friendship, conversation, reading, poetry, and music are the connecting threads that bind us together. Paperback144 pagesNorton, 20244.5 x 0.4 x 7.3 inchesISBN 9780811234870Literary Fiction

Paul Celan and the Trans-Tibetan Angel

By Cathleen Schine An NPR Best Book of the Year "A moving and entertaining novel about how we revisit memories to make meaning for ourselves and others. . . . Ms. Schine has a wonderful ability to weave research and substantive ideas into her novels without weighing them down. Her buoyant dialogue has the zip of great comedy routines." ―Wall Street Journal "Künstlers in Paradise is a tender family story, but it is also a profound meditation on the nature and power of storytelling, inheritance, and legacy, the malleability and perdurability of memory." ―Boston Globe There was a time when the family Künstler lived in the fairy-tale city of Vienna. Circumstances transformed the fairy tale into a nightmare, and in 1939 the Künstlers found their way out of Vienna and into a new fairy tale: Los Angeles, California, United States of America. For years Mamie Künstler, ninety-three years old, as clever and glamorous as ever, has lived happily in her bungalow in Venice, California, with her inscrutable housekeeper and her gigantic St. Bernard. Their tranquility is upended when Mamie’s grandson Julian arrives from New York City. Like many a twentysomething, he has come to seek his fortune in Hollywood. But it is 2020, the global pandemic sweeps in, and Julian’s short visit suddenly has no end in sight. Mamie was only eleven when the Künstlers escaped Vienna in 1939. They made their way, stunned and overwhelmed, to sunny, surreal Los Angeles, where they joined a colony of distinguished Jewish musicians, writers, and intellectuals also escaping Hitler. Now, faced with months of lockdown and a willing listener, Mamie begins to tell Julian the buried stories of her years in Los Angeles: her escapades with eminent émigrés like Arnold Schoenberg, Christopher Isherwood, Thomas Mann. Oh, and Greta Garbo. While the pandemic cuts Julian off from the life he knows, Mamie’s tales open up a world of lives that came before him. They reveal to him just how much the past holds of the future. Paperback272 pagesHolt Paperbacks, 20247.15 x 0.7 x 8.2 inchesISBN 9781250892492Historical Fiction

Künstlers in Paradise [Paperback]

By Alexander Lernet-Holenia Translated by Ignat Avsey “The cast of this brilliant thriller … are pure Raymond Chandler … but the Viennese setting gives it an extra, stylish twist. It’s excellently written and fearsomely gripping.”—Kate Saunders, The Times “A terrific fast-moving book. . . a truly clever, rather wonderful book that both plays with and defies genre”—Irish Times “A fascinating snapshot of Vienna between the wars, pacey and entertaining.”—Laura Wilson, Guardian A taxi-driver in 1930s Vienna impersonates a murder victim, and is caught into a dangerous spiral Twice adapted for film, I Was Jack Mortimer is a tale of misappropriated identity as darkly captivating and twisting as the books of Patricia Highsmith. “One doesn’t step into anyone’s life, not even a dead man’s, without having to live it to the end.” A man climbs into Ferdinand Sponer’s cab, gives the name of a hotel, and before he reaches it has been murdered: shot through the throat. And though Sponer has so far committed no crime, he is drawn into the late Jack Mortimer’s life, and might not be able to escape its tangles and intrigues before it is too late… Part of the Pushkin Press Classics series: outstanding classic storytelling from around the world, in a stylishly original series design. From newly rediscovered gems to fresh translations of the world’s greatest authors, this series includes such authors as Stefan Zweig, Hermann Hesse, Ryūnosuke Akutagawa and Gaito Gazdanov. Paperback160 pagesPushkin Press Classics, 20245 x 7 inchesISBN 9781805330370Thriller, Crime, Literary Fiction

I Was Jack Mortimer

By Franz KafkaTranslated and Edited by Mark Harman"The translations are surely definitive – Harman’s grasp of the German language is as comprehensive as was the Czech-born Kafka’s – but the prime value of the book is in the annotation. Every nuance of language is flagged, every cross-reference is followed up, every subtle shade of humour is highlighted. This is academic work as it should be done, in faithful service to the text and to its readers."― John Banville, The Guardian “Richly illustrated and filled with fascinating references to contemporary sources, critical commentary and relevant passages from Kafka’s letters and diaries…Anyone interested in knowing more about these stories will find this volume a treasure trove.”―Karen Leeder, Times Literary Supplement “[This book] gives us crisp new translations of Franz Kafka’s best novellas and tales and also a substantial scholarly introduction to his life and work…Ironies…lurk in Kafka’s fiction: in dry, dispassionate sentences that deliver disconcerting changes of perspective and in slyly matter-of-fact descriptions of uncanny events. Harman’s translations recreate these subtle effects with admirable precision; and by uncovering the veins of humour and hope in Kafka’s dark art, he may well win new readers for this gentle master of the absurd.”―Joachim Redner, Australian Book Review A superb new translation of Kafka’s classic stories, authoritatively annotated and beautifully illustrated. Selected Stories presents new, exquisite renderings of short works by one of the indisputable masters of the form. Award-winning translator and scholar Mark Harman offers the most sensitive English rendering yet of Franz Kafka’s unique German prose—terse, witty, laden with ambiguities and double meanings. With his in-depth biographical introduction and notes illuminating the stories and placing them in context, Harman breathes new life into masterpieces that have often been misunderstood. Included are sixteen stories, arranged chronologically to convey a sense of Kafka’s artistic development. Some, like “The Judgment,” “In the Penal Colony,” “A Hunger Artist,” and “The Transformation” (usually, though misleadingly, translated as “The Metamorphosis”), represent the pinnacle of Kafka’s achievement. Accompanying annotations highlight the wordplay and cultural allusions of the original German, pregnant with irony and humor that English readers have often missed. Although Kafka has frequently been cast as a loner, in part because of his quintessential depictions of modern alienation, he had a number of close companions. Harman draws on Kafka’s diaries, extensive correspondence, and engagement with early twentieth-century debates about Darwinism, psychoanalysis, and Zionism to construct a rich portrait of Kafka in his world. A work of both art and scholarship, Selected Stories transforms our understanding and appreciation of a singular imagination. Hardcover304 pagesBelknap Press, 20245.5 x .87 x 8.25 inchesISBN 9780674737983 Franz Kafka, Short Stories

Selected Stories

Contributions by Tommy Orange, Ali Smith, Naomi Alderman, Elif Batuman and Helen OyeyemiWhat happens when Kafka’s idiosyncratic imagination meets some of the greatest literary minds writing in English across the globe today? Find out in this anthology of brand-new Kafka-inspired short stories by prizewinning, bestselling writers.Franz Kafka is widely regarded as one of the greatest and most enigmatic geniuses of European literature. He’s been hailed a profit and a diagnostician, and a century after his death, his unique perspective on the anxieties, injustices, and rapidly shifting belief systems of the modern world continues to speak to our contemporary moment. From a future society who ask their AI servants to construct a giant tower to reach God; to an apartment search that descends into a comically absurd bureaucratic nightmare; to a population experiencing a wave of unbearable, contagious panic attacks, these ten specially commissioned stories are by turns mind-bending, funny, unsettling and haunting. Inspired by a twentieth-century visionary, they speak powerfully to the strangeness of being alive today.Paperback208 pagesCatapult, 20245.5 x 8.25 inchesISBN 9781646222636 Franz Kafka, Short Story Anthology

A Cage Went in Search of a Bird (Ten Kafkaesque Short Stories)

Edited by Charlotte Lee A greatest-hits selection from some of the most popular poets of the Romantic movement, including Goethe, Schiller, Schlegel, and Heine, in a gorgeously jacketed small hardcover. Unlike the more earnest English Romantic poets, followers of the Romantic movement in Germany valued wit and humor along with beauty. Admiration for nature is also prominent in their poetry, and in particular the dramatic forests which still cover large areas of Germany. Love and death crop up repeatedly as themes in such famous works as Goethe’s “Elf King” and Wagner’s Tristan and Isolde. Characters from myth and folklore abound—most famously Lorelei, an enchantress who is associated with the rock of the same name on the bank of the Rhine, who is featured in several poems in this volume. Also gathered here are such favorites as Hölderlin’s “Bread and Wine,” Schiller’s “The Visit of the Gods,” Eichendorff’s “Nocturne,” and Heine’s “The Magic Month of May,” along with works by the most famous women writers of the Romantic era, including Karoline von Günderrode and Sophie Mereau.Everyman’s Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.Hardcover256 pagesEveryman's Library, 20244.125 x 6.25 inchesISBN 9781101908358Poetry, Classics, German Romanticism

German Romantic Poets

By Jac Jemc"Modern and mythic, Empty Theatre captures the outrageous taste of an era while measuring the steep costs of our dream worlds."―Katy Simpson Smith, the New York Times"Surreal, witty, tongue-in-cheek, and distinctly singular, just like the subjects whose life it covers, this is not your mother’s historical fiction. Buckle up for a wild ride, and enjoy every second of it."―David Vogel, BuzzFeed News"...one of the most engrossing and entertaining historical novels in recent memory."―Seth Combs, The San Diego Union TribuneA wildly over-the-top social satire reimagining the mad misadventures of the iconic royal cousins King Ludwig and Empress Sisi, from the incomparable Jac Jemc.History knows them as King Ludwig II of Bavaria and Empress Elizabeth of Austria, icons of the late nineteenth century who died young and left behind magnificent portraits and palaces. But to each other they were Ludwig and Sisi, cousins who shared a passion for beauty and a stubborn refusal to submit to the roles imposed upon them. Ludwig, simultaneously spoiled and punished for his softness and “unmanly” interests, falls hard for the operas of Richard Wagner and neglects his state duties in the pursuit of art. Sisi, married at the age of sixteen to her beloved Franzl, bristles at the restrictions of her elevated position, the value placed on her beauty, and the simultaneous expectation that she ravage her body again and again in childbirth. Both absurdly vain, both traumatized by the demands of their roles, Sisi and Ludwig struggle against the ideals they are expected to embody, and resist through extravagance, petulance, performance, and frivolity.A tragicomic tour de force, Empty Theatre immerses readers in Ludwig and Sisi’s rarefied, ridiculous, restrictive world—where the aesthetics of excess belie the isolation of its inhabitants. With wit, pathos, and imagination, Jac Jemc takes us on an unforgettable journey through two extraordinary parallel lives and the complex, tenuous friendship that links them.Paperback464 pagesPicador Paper, 20244.9 x 1.2 x 7.9 inchesISBN 9781250872180Austrian Historical Fiction, Literature

Empty Theatre [Paperback]

By Teresa PräauerTranslated by Kári DriscollAn unveiling of the presence of captivating figures and creatures throughout history.In this gripping philosophical and cultural exploration, Teresa Präauer sets out to investigate figures of transformation, transmission, and translation—across languages, cultures, genres, media, species, and spaces. Hybrids, chimeras, monsters, and liminal creatures of all sorts inhabit these pages, as indeed they do the pages of the cultural archive from Antiquity and the Middle Ages to the present day: everything from the harpies, ape-men, and cynocephali that inhabit the edges of medieval maps and taxonomies to the Krampuses and Furries that roam through Alpine villages and convention centers today. Yet these chimeras are not aberrations; rather, they reveal an essential truth about culture and artistic expression.What emerges in Becoming Animal is a kaleidoscopic image of culture as the constant probing of the limits of the sayable, as an unending process of attempting to capture in words and symbols that which cannot be pinned down.Hardcover132 pagesSeagull Books, 20245 x 8 inchesISBN 9781803093321Literature

Becoming Animal

By Rahel Levin VarnhagenEdited and Translated by Peter WortsmanA personal look into the mind of one of Europe’s first and foremost women of letters. At times poetic but not a poem, prosaic but not an essay, a letter is often pure writing for writing’s sake. Such is the case for Rahel Varnhagen von Ense, née Levin, the illustrious German-Jewish Berlin literary salon hostess from the early nineteenth century. She penned over ten thousand letters to more than three hundred recipients, including princes, philosophers, poets, family members, and the family cook. Written with a wink at posterity, collected and first published after her passing by her husband, Karl August Varnhagen von Ense, these letters constitute a singular contribution to German literature. Varied in subject—from family affairs to linguistic, literary, and pressing social concerns—the poignant lyricism of her letters is all the more remarkable when we take into account that High German was not her first language; she grew up speaking, reading, and writing primarily Yiddish. Her shaky social status as a woman and a member of a precarious minority, combined with an astounding lucidity and a rare capacity to put her thoughts into words, made her a force to be reckoned with in her lifetime and thereafter as one of Germany’s preeminent women of letters. As we see in I Just Let Life Rain Down on Me, her voice is as fresh and original as that of any of the recognized poets and thinkers of her day. As Rahel herself put it: “[O]ur language is our lived life; I invented mine for my own purposes, I was less able than many others to make use of preconceived turns of phrase, which is why mine are often clumsy, and in all respects faulty, but always true.” Hardcover232 pagesSeagull Books, 20246 x 9 inchesISBN 9781803093369 Jewish Studies, Biography

I Just Let Life Rain Down on Me: Selected Letters and Reflections

With an Introduction by Will StoneTranslated by Will StoneAn intimate glimpse into the life and letters of Rainer Maria Rilke, one of the most important poets of the twentieth century. In July 1921, displaced European poet Rainer Maria Rilke sequestered himself in the chateau of Muzot, a thirteenth-century medieval tower perched in the vineyards above the town of Sierre in the Canton Valais, Switzerland. In this sun-flooded landscape of the Rhone Valley, he found beguiling echoes of Spain and his beloved Provence. Here, the Duino Elegies were famously completed and the Sonnets to Orpheus followed. During this time, Rilke’s correspondence also bloomed, and Letters around a Garden collects some of those letters together into English for the first time. One intriguing exchange from 1924 to 1926 was with a young aristocratic Swiss woman Antoinette de Bonstetten, a passionate horticulturist who had been recommended as a potential advisor for the redesign and upkeep of the Muzot rose garden. In twenty-two precious letters originally written in French, Rilke relishes the prospect of their elusive meeting, keenly discusses the plans for his garden, and wittily laments the trials of his plants. Beyond the encomium for Paul Valéry and poignant memory of place are passages of exquisite writing, in which Rilke evokes with trademark sensitivity the delicate relationship between the changing seasons and the natural world of his adopted region. We also witness the loving relationship evolve between these sometime-fugitive correspondents and how questions of solitariness and companionship impinge on one who faces unaccustomed challenges as his health tragically declines.Paperback96 pages | 3 halftones Seagull Books, 20245 x 8 inches ISBN 9781803093345Literature, Letters

Letters around a Garden: Rainer Maria Rilke

By Keiron Pim"Utterly engrossing. Endless Flight is a biography of deep humanity, one that captures the individual, the place and the times with acute and affecting brilliance. I loved it." —Philippe Sands, author of The Ratline: The Exalted Life and Mysterious Death of a Nazi Fugitive The mercurial, self-mythologising novelist and journalist Joseph Roth, author of the 20th-century masterpiece The Radetzky March, was the finest observer and chronicler of his age. Endless Flight travels with Roth from his childhood in the town of Brody on the eastern edge of the Austro-Hungarian Empire to an unsettled life spent roaming Europe between the wars, including spells in Vienna, Paris and Berlin. His decline mirrored the collapse of civilised Europe: in his last peripatetic decade, he opposed Nazism in exile from Germany, his wife succumbed to schizophrenia and he died an alcoholic on the eve of WWII.Exploring the role of Roth’s absent father in his imaginings, his attitude to his Jewishness and his restless search for home, Keiron Pim’s gripping account of Roth’s chaotic life speaks powerfully to us in our era of uncertainty, refugee crises and rising ethno-nationalism. Published as Roth’s works rapidly gain new readers and recognition, Endless Flight delivers a visceral yet sensitive portrait of his quest for belonging, and a riveting understanding of the brilliance and beauty of his work.Paperback544 pagesGranta Books, 20235.08x 1.18 x 7.8 inchesISBN 9781783785117Biography, Exile Literature

Endless Flight: The Genius and Tragedy of Joseph Roth [Paperback]

Von Joseph Roth Lemberg, Moskau, Astrachan — in der Zweit zwischen den Kriegen erkundet Joseph Roth Osteuropa. Mit meisterhaften Reportagen fängt den Alltag der jungen Sowjetunion ein und stößt dabei auf Probleme, die uns heute noch bewegen. Paperback136 pagesText in GermanBeck C.H., 20155.12 x 0.59 x 8.07 inchesISBN 9783406800061Literature, Non-Fiction

Reisen in die Ukraine und nach Russland

By Franz Kafka Edited by Reiner Stach Translated by Shelley Frisch "Taut translations. . . . Indispensable commentary."—Max Norman, Wall Street Journal"An astute and subtle commentary. . . . The intellectual risks of commenting on the comments of Kafka are enormous, but Stach takes them in his stride, and Shelley Frisch’s English version keeps pace admirably."—Michael Wood, London Review of Books“In Shelley Frisch’s inspired translation and Reiner Stach’s lucid decipherment, Kafka’s crystalline aphorisms—his most beautifully faceted and intricately intimate creations—reveal themselves anew.”—Benjamin Balint, author of Kafka’s Last TrialA splendid new translation of an extraordinary work of modern literature—featuring facing-page commentary by Kafka’s acclaimed biographer.In 1917 and 1918, Franz Kafka wrote a set of more than 100 aphorisms, known as the Zürau aphorisms, after the Bohemian village in which he composed them. Among the most mysterious of Kafka’s writings, they explore philosophical questions about truth, good and evil, and the spiritual and sensory world. This is the first annotated, bilingual volume of these extraordinary writings, which provide great insight into Kafka’s mind. Edited, introduced, and with commentaries by preeminent Kafka biographer and authority Reiner Stach, and freshly translated by Shelley Frisch, this beautiful volume presents each aphorism on its own page in English and the original German, with accessible and enlightening notes on facing pages.The most complex of Kafka’s writings, the aphorisms merge literary and analytical thinking and are radical in their ideas, original in their images and metaphors, and exceptionally condensed in their language. Offering up Kafka’s characteristically unsettling charms, the aphorisms at times put readers in unfamiliar, even inhospitable territory, which can then turn luminous: “I have never been in this place before: breathing works differently, and a star shines next to the sun, more dazzlingly still.”Above all, this volume reveals that these multifaceted gems aren’t far removed from Kafka’s novels and stories but are instead situated squarely within his cosmos—arguably at its very core. Long neglected by Kafka readers and scholars, his aphorisms have finally been given their full due here.Paperback256 pages | 9 black-and-white illustrationsText in English and German Princeton University Press, 2023Originally published in 19315.5 x 8.5 inchesISBN 9780691254784Literature, German Literature Criticism

The Aphorisms of Franz Kafka [Paperback]

Edited by Diana Secker Tesdell “An excellent new anthology. . . . I’ve long admired Tesdell’s Everyman’s Pocket Classic thematic anthologies for their judicious story selections. Like some of the artists depicted in this one, she creates works that are pleasing, beautiful and surprising.” —Milwaukee Journal Sentinel Stories of Art and Artists gathers two centuries of classic stories from around the world. From Nathaniel Hawthorne’s “The Artist of the Beautiful” and Albert Camus’s “The Artist at Work” to Bernard Malamud’s “Rembrandt’s Hat” and Aimee Bender’s “The Color Master,” the tales collected here range from haunting fables about the power of art to vivid portraits of those who create.Writers have long been fascinated by the idea of artistic genius, the relationship between portraits and their subjects, the inspirational role of muses, and the effects on artists of ambition, failure, and success. Art forms featured in these pages include sculpture, pottery, architecture, miniatures, landscapes, portraits, and abstract painting, illumined in brilliant stories by such great writers as Honoré de Balzac, Hermann Hesse, Franz Kafka, Marguerite Yourcenar, John Berger, William Boyd, Doris Lessing, Valerie Martin, Julian Barnes, Orhan Pamuk, and A. S. Byatt. Their dazzling literary evocations of the visual arts—using one art form to reflect on another—make Stories of Art and Artists an irresistible gift for lovers of art of all kinds.Hardcover400 pagesEveryman's Library, 20144.25 x 7.25 inchesISBN 9780375712494Short Stories, Fiction

Stories of Art and Artists

By Leonora CarringtonIntroduction by Marina Warner "So vivid is Carrington’s step-by-step descent into madness…it is possible to read Down Below in a single sitting, but emotionally quite difficult… [You] get the distinct impression that for Carrington, reality is malleable." —Carmen Maria Machado, NPR"Her stories are vivid, funny and surprisingly fresh...[they] combine satire with surrealist situations to deftly mock the pomposity of organized religion, sexual repression or the endless forms of bureaucratic hypocrisy and ineptitude... She controls her imagery, amuses us with her tweaking of the bourgeoisie and moves us with her dazzling dreamscapes, all the while firmly maintaining her slightly bemused sang-froid." —Richard Burgin, The New York TimesA stunning work of memoir and an unforgettable depiction of the brilliance and madness by one of Surrealism’s most compelling figuresIn 1937 Leonora Carrington—later to become one of the twentieth century’s great painters of the weird, the alarming, and the wild—was a nineteen-year-old art student in London, beautiful and unapologetically rebellious. At a dinner party, she met the artist Max Ernst. The two fell in love and soon departed to live and paint together in a farmhouse in Provence. In 1940, the invading German army arrested Ernst and sent him to a concentration camp. Carrington suffered a psychotic break. She wept for hours. Her stomach became “the mirror of the earth”—of all worlds in a hostile universe—and she tried to purify the evil by compulsively vomiting. As the Germans neared the south of France, a friend persuaded Carrington to flee to Spain. Facing the approach “of robots, of thoughtless, fleshless beings,” she packed a suitcase that bore on a brass plate the word Revelation.This was only the beginning of a journey into madness that was to end with Carrington confined in a mental institution, overwhelmed not only by her own terrible imaginings but by her doctor’s sadistic course of treatment. In Down Below she describes her ordeal—in which the agonizing and the marvelous were equally combined—with a startling, almost impersonal precision and without a trace of self-pity. Like Daniel Paul Schreber’s Memoirs of My Nervous Illness, Down Below brings the hallucinatory logic of madness home.Paperback112 PagesNYRB Classics, 20175 x 0.3 x 8 inches ISBN 9781681370606Surrealism, Memoir

Down Below

By Annemarie SchwarzenbachTranslated from the German by Lucy Renner JonesAfterword by Roger Perret Schwarzenbach’s clear, psychologically acute prose makes this novella an evocative narrative, with many intriguing parallels to her own life.Annemarie Schwarzenbach—journalist, novelist, antifascist, archaeologist, and traveler—has become a European cult figure for bohemian free spirits since the rediscovery of her works in the late 1980s. Lyric Novella is her story of a young man’s obsession with a Berlin variété actress. Despite having his future career mapped out for him in the diplomatic service, the young man begins to question all his family values under Sibylle’s spell. His family, future, and social standing become irrelevant when set against his overriding compulsion to pick her up every night from the theater so they can go for a drive. Bringing the story back to her own life, Schwarzenbach admitted after publication that her hero was in fact a young woman, not a man, leaving little doubt that Lyric Novella is a literary tale of lesbian love during socially and politically turbulent times.Paperback138 pagesSeagull Books, 20225 x 1 x 8 inchesISBN 9781803090375Swiss Writer, Romance

Lyric Novella

By Annemarie SchwarzenbachTranslated from the German by Lucy Renner JonesSince the rediscovery of her work in the late 1980s, Annemarie Schwarzenbach—journalist, traveler, archaeologist, opium addict, and antifascist novelist—has become a European cult figure among free spirited bohemians. Available in English for the first time and beautifully translated by Lucy Renner Jones, Death in Persia is a collage of the political and the private, documenting Schwarzenbach’s intimate feelings and public ideas during four trips to Persia between 1933 and 1939. From her reflections on individual responsibility in the lead-up to World War II to her reactions to accusations from her friends of having deserted Europe and the antifascist cause for Tehran, Schwarzenbach recorded a great deal about daily life in Persia, and, most personally, her ill-fated love affair with Jalé, the daughter of the Turkish ambassador. Chronologically preceding Schwarzenbach’s exquisite travelogue All the Roads are Open, an account of her automobile journey from Geneva to Afghanistan in 1939, Death in Persia is the enthralling diary of an astute observer standing at the crossroads of major events in history and a gorgeous new addition to Annemarie Schwarzenbach’s growing English-language oeuvre.Paperback156 pagesSeagull Books, 20215 x 0.4 x 8 InchesISBN 9780857428233Travel Writing, Swiss Writer

Death in Persia

By Edmund de Waal"[de Waal] demonstrates, in this slim and elegant volume, how words can hold our memories as well as objects while taking up infinitely less space." —Maurice Samuels, The New York Times Book ReviewA tragic family history told in a collection of imaginary letters to a famed collector, Moïse de Camondo.63 rue de Monceau, ParisDear friend,As you may have guessed by now, I am not in your house by accident. I know your street rather well.Count Moïse de Camondo lived a few doors away from Edmund de Waal’s forebears, the Ephrussi, first encountered in his bestselling memoir, The Hare with Amber Eyes. Like the Ephrussi, the Camondos were part of belle epoque high society. They were also targets of antisemitism.Camondo created a spectacular house and filled it with the greatest private collection of French eighteenth-century art for his son, Nissim, to inherit. But when Nissim was killed in the First World War, it became a memorial and, upon the Count’s death, was bequeathed to France.The Musée Nissim de Camondo has remained unchanged since 1936. De Waal explores the lavish rooms and detailed archives and uncovers new layers to the family story. In a series of haunting letters addressed to the Count, he tells us what happened next.Paperback 192 pagesPicador, 20225.64 x 0.78 x 8.86 inchesISBN 9781250851062French History, Jewish History

Letters to Camondo

By Sue Hubbard“A triumph of literary and artistic understanding, a tour de force: Masterly, moving and beautifully written.” —Fay WeldonA dazzling novel about groundbreaking artist, Paula Modersohn-Becker—a brilliant early expressionist who toiled under the shadow of her lover Rainer Maria RilkeGirl in White is the extraordinary story of the German expressionist painter Paula Modershohn-Becker (1876-1907), told from the fictionalized perspective of her daughter, Mathilde.Written with the eye of a painter and the soul of a poet this moving story is a meditation on love, loss, memory and, ultimately, hope.Paula Modersohn-Becker was a pioneer of modern art in Europe, but denounced as degenerate by the Nazis after her death. Poet and art critic Sue Hubbard draws on the artist’s diaries and paintings to bring to life her singular existence, her battle to achieve independence and recognition and her intense relationship with the poet Rainer Maria Rilke, and her struggle to find a balance between being a painter, wife, and mother.Not only do we discover Paula’s vibrant personality and rich legacy of Expressionist paintings, but also come to understand something of the corrupted ideologies of the Third Reich in a book that’s perfect for fans of books like Georgia by Dawn Tripp and The Age of Light by Whitney Scharer.Paperback320 pagesPushkin Press, 20235 x 7.77 inchesISBN 9781782279129Historical Fiction

Girl in White

By Colm TóibínA New York Times Notable Book, Critic’s Top Pick, and Top Ten Book of Historical Fiction“Compelling… This is an enormously ambitious book, one in which the intimate and the momentous are exquisitely balanced…Tóibín has fashioned an epic.”—The Guardian“An intimate portrait of Thomas Mann… In The Magician, Tóibín presents a rare view into the making of serious art and, in the process, shows he is a powerful magician himself.” —Chicago Review of Books The Magician opens in a provincial German city at the turn of the twentieth century, where the boy, Thomas Mann, grows up with a conservative father, bound by propriety, and a Brazilian mother, alluring and unpredictable. Young Mann hides his artistic aspirations from his father and his homosexual desires from everyone. He is infatuated with one of the richest, most cultured Jewish families in Munich, and marries the daughter Katia. They have six children. On a holiday in Italy, he longs for a boy he sees on a beach and writes the story Death in Venice. He is the most successful novelist of his time, winner of the Nobel Prize in literature, a public man whose private life remains secret. He is expected to lead the condemnation of Hitler, whom he underestimates. His oldest daughter and son, leaders of Bohemianism and of the anti-Nazi movement, share lovers. He flees Germany for Switzerland, France and, ultimately, America, living first in Princeton and then in Los Angeles.Paperback512 pagesScribner, 20226 x 1.4 x 9 inchesISBN 9781476785097Thomas Mann, Historical Fiction

The Magician [Paperback]

This book was featured as part of our Literatur Café series. By Ulrich Baer Honorable Mention in the 2001 Harry Levin Prize, sponsored by the American Comparative Literature Association."This innovative study of the works of Baudelaire and Celan opens a new window on the history of modern identity in western culture."—Germanic Notes and ReviewsIn a bold reassessment, this book analyzes the works of Charles Baudelaire and Paul Celan, two poets who frame our sense of modern poetry and define the beginning and end of modernity itself.The two poets share a feature that seems to block their placement in such an easy chronological or historical scheme: each accounts for an experience that will not fully enter memory, but dissipates in the mind in the form of trauma, fragments, and shock. While Baudelaire, as Paul Valéry was the first to show, explores the trauma of the minute personal shocks of everyday existence in modern life, Celan engages with the catastrophic magnitude of the Holocaust and how it has altered our understanding of history. Can we relate the shocks registered in Baudelaire's poems to the historical horror addressed in Celan's work without denying either the singularity of suffering and loss or the uniqueness of the historical event of the Shoah?Drawing on trauma studies and Holocaust research, Remnants of Song challenges existing interpretations of Baudelaire and Celan by constantly holding in view both the aesthetic dimension of their works and their historical import. The author demonstrates that the act of engaging with a poem on its own terms may serve as an important model for an ethical response to the radical experiences of trauma. Answering Adorno's famous dictum that there can be no poetry after Auschwitz, he shows that Celan's poetry continues to posit its own truth by drawing on Baudelaire as a precedent—yet it does so in ways that have little to do with conventional understandings of history.Hardcover360 pagesStanford University Press, 20005.5 x 8.5 inches ISBN 9780804738262Literary Criticism

Remnants of Song: Trauma and the Experience of Modernity in Charles Baudelaire and Paul Celan

By Hermann HesseTranslated from the German by Damion Searls“One of humanity’s most beautiful love letters to trees.” ―The Marginalian “Nature frequently brings out our deepest thoughts, but few can express those thoughts better than Hermann Hesse does in this anthology.” —New York Journal of Books An elegant collection of Hermann Hesse’s essays, poems, and passages on the subject of trees and nature, accompanied by thirty-one of his watercolor illustrations. Hermann Hesse understood trees to be symbols of transcendence and rebirth, of instinctive growth present in all natural life. This elegant collection of his essays, poems, and passages on trees, accompanied by thirty-one of his watercolor illustrations, reveals his inspired thoughts on nature, spirituality, and self-knowledge. Together, his writings and paintings mirror the seasons and landscapes as he experienced them, and help remind us that trees’ annual rings are representations of our own days’ struggle, happiness, and purpose.In the author’s words: “They struggle with all the force of their lives for one thing only: to fulfill themselves according to their own laws . . . Whoever has learned to listen to trees no longer wants to be one. He wants to be nothing except who he is.”Hardcover 136 pages | 31 full-color watercolors from Hermann HesseKales Press, 20225.3 x 0.7 x 7.4 inchesISBN 9781737832713 Anthology, Nature Writing

Trees: An Anthology of Writings and Paintings

By Hermann HesseTranslated by Elisabeth LaufferIllustrated by Jakob Hübner"A charming book for nature and literature lovers...leaving audiences feeling as lucky to encounter it as Hesse felt about meeting his winged subjects."―Foreword Reviews This volume gathers the most alluring stories, recollections, contemplations and poems on butterflies by Herman Hesse. "I have always had a connection with butterflies and other fleeting and ephemeral beauties, while I have never succeeded in maintaining permanent, committed and so-called solid relationships," writes Hermann Hesse in a letter from 1926. This preference, occasionally resembling an elective affinity, for "flowers and butterflies, that are of everlasting things, a fleeting allegory" – as he says in one of his poems, has left its mark on Hesse’s entire oeuvre.Hardcover136 pages | 110 full-color engraved copper illustrations Kales Press, 20235.3 x 0.7 x 7.3 inchesISBN 9798985955859 Anthology, Nature Writing

Butterflies: Reflection, Tales, and Verse

By Bruno Schulz Translated by Stanley Bill The stories in this collection are rich, tangled, and suffused with mystery and wonder. In the narrowing, winding city streets, strange figures roam. Great flocks of birds soar over rooftops, obscuring the sun. Cockroaches appear through cracks and scuttle across floorboards. Individuals careen from university buildings to dimly lit parlour rooms, through strange shops and endless storms.Crowded with moments of stunning beauty, the stories in this collection showcase Schulz’s darkly modern sensibility, and his status as one of the great transformers of the ordinary into the fantastical.Paperback224 pages Pushkin Press, 20224.81 x 0.79 x 6.45 inchesISBN 9781782277897Literature, Classics

Nocturnal Apparitions

By Karl KrausTranslated by Fred Bridgham and Edward Timms"[A] superb translation."—Bill Marx, Arts FuseKraus’s iconic WWI drama, a satirical indictment of the glory of war, now in English in its entirety for the first time.One hundred years after Austrian satirist Karl Kraus began writing his dramatic masterpiece, The Last Days of Mankind remains as powerfully relevant as the day it was first published. Kraus’s play enacts the tragic trajectory of the First World War, when mankind raced toward self-destruction by methods of modern warfare while extolling the glory and ignoring the horror of an allegedly “defensive” war. This volume is the first to present a complete English translation of Kraus’s towering work, filling a major gap in the availability of Viennese literature from the era of the War to End All Wars.Bertolt Brecht hailed The Last Days as the masterpiece of Viennese modernism. In the apocalyptic drama Kraus constructs a textual collage, blending actual quotations from the Austrian army’s call to arms, people’s responses, political speeches, newspaper editorials, and a range of other sources. Seasoning the drama with comic invention and satirical verse, Kraus reveals how bungled diplomacy, greedy profiteers, Big Business complicity, gullible newsreaders, and, above all, the sloganizing of the press brought down the Austro-Hungarian Empire. In the dramatization of sensationalized news reports, inurement to atrocities, and openness to war as remedy, today’s readers will hear the echo of the fateful voices Kraus recorded as his homeland descended into self-destruction. Paperback672 pagesYale University Press, 20235.91 x 1.42 x 8.98 InchesISBN 9780300271171Literature, Satire

Last Days of Mankind

This book was featured as part of our Literatur Café series. By Rainer Maria Rilke Translated by Ulrich Baer “It is a matter of living everything. Live the questions now. Perhaps you will one distant day simply live your way into the answer.” In this slim collection of ten letters, written to an aspiring poet in the early 1900s, Rilke speaks with his unique insistence about living your true, authentic life. Countless readers have found inspiration, wisdom, and guidance in these deeply personal letters now famous the world over. Paperback100 pagesWarbler Press, 2022Originally published in 19295 x 8 inchesISBN 9781959891116Literature

By Friedrich Nietzsche Edited and translated by Ulrich Baer Friedrich Nietzsche presented many of his greatest insights in pithy, well-turned short phrases that do not follow any philosophical dogma. Instead, his chastening but ultimately life-affirming philosophy puts forth true love and friendship as our best hope in dark times. Here are Nietzsche’s key sayings about love from the vast body of his philosophical writings, which have influenced politics, philosophy, art and culture like few other works of world literature. As the first edition of its kind, this collection presents Nietzsche’s thoughts on love not as academic philosophy but as a guide to life. At turns delightful and astute—and always wise—Nietzsche on Love offers an original and startling glimpse into what one of the world’s foremost thinkers says about the fundamental experience of our lives. Friedrich Nietzsche (1844-1900) was a German philosopher, cultural critic, composer, poet, philologist, and Latin and Greek scholar. One of the greatest thinkers of all time, his ideas have exerted an immeasurable influence on philosophy, politics, art, literature, psychology, and popular culture around the world.Paperback 138 pages Warbler Press, 20205.06 x 0.35 x 7.81 inchesISBN 9781734452570Poetry, Letters

Nietzsche on Love

By Robert MusilTranslated by Genese GrillIn 1911, following his 1906 debut, The Confusions of Young Törless, Robert Musil published the two experimental stories that make up Unions. “The Completion of Love” and “The Temptation of Quiet Veronica” were some of Musil’s earliest forays into what would become a life-long exploration of the life, adventures, and psychological processes of his fiancé, Martha Marcovaldi — the future Martha Musil.When Musil later wrote of the “two authors” of his great unfinished work, The Man without Qualities, the co-author referred to was no other than Martha. The stories in Unions, drawn from Martha’s life, explode conventional morality; explore questions of self, union, and dissolution of self; and approximate exceptional sensations of erotic and intellectual perception in a shimmering and exceedingly dense proliferation of metaphors.The images, Musil tells us in a note, are the bone, not just the skin, of these carefully crafted stories. Each word is as motivated as the internal and external moments it attempts to embody in language. Although Musil did not continue to work in this experimental style in his later writing, in a late note he affirmed that Unions, the fruit of much artistic struggle and deep personal engagement, was the only one of his books that he sometimes still read from.This is a new English-language translation of the two stories and the first one to appear — in the form of Musil’s original publication — as Unions. A scholarly introduction by the translator, Genese Grill, explains the provenance of the stories and the need for a new approach to this book so central to his oeuvre.Paperback178 pagesContra Mundum Press, 20195 x 0.41 x 8 inchesISBN 9781940625300Literature

Unions

By Robert Musil & Klaus AmannTranslated by Genese Grill Literature and Politics presents Robert Musil's writings on the relationship between literature and politics from World War I through World War II and elucidates his personal struggle to bear witness during the Age of Totalitarianism. In essays, addresses, aphorisms, and unpublished notes on contemporary events, Musil charts the increasing dangers to artists and ethical thinkers of extreme ideological conscription, the subtle and not so subtle changes in public and political discourse, the epoch-making events and dire existential threats of his times. Musil acts as a cultural seismographer, interrogating causes and symptoms in himself and his world, as he moves between Nazi Germany and pre- and post-Anschluß Austria, ultimately escaping to Switzerland where he and his Jewish wife, Martha, lived in exile until his death in 1942. The writings question concepts of race, identity, and nation, and untangle the complex relationship between nation and artist and between the individual and the collective, celebrating the rich and irreducible nature of individual creative work as the bulwark of a free, ethical, and pluralistic society.Klaus Amann provides an invaluable introduction to Musil's political thought and his struggle, during the war years, to come to terms, to survive, and to find some way to bear witness. Amann recounts Musil's political trajectory, from fairly indifferent aesthete to socially-engaged supporter of the Weimar Republic and its liberal reforms, to critic of Nazi and Communist Totalitarianisms, and as prescient sceptic about the "cultural optimism" of the Soviet experiment. Musil's ultimate stance—as a thinker who radically resists taking final stances - is that politics endangers culture and humanity by dictating to artists how they should write, think, paint, compose, and by instrumentalizing art in the interest of ideology. Paperback562 pagesContra Mundum Press, 20235 x 1.25 x 8 inchesISBN 9781940625546Literature, History

Literature & Politics

By Benjamin Balint A fresh portrait of the Polish-Jewish writer and artist, and a gripping account of the secret operation to rescue his last artworks. The twentieth-century artist Bruno Schulz was born an Austrian, lived as a Pole, and died a Jew. First a citizen of the Habsburg monarchy, he would, without moving, become the subject of the West Ukrainian People’s Republic, the Second Polish Republic, the USSR, and, finally, the Third Reich. Yet to use his own metaphor, Schulz remained throughout a citizen of the Republic of Dreams. He was a master of twentieth-century imaginative fiction who mapped the anxious perplexities of his time; Isaac Bashevis Singer called him “one of the most remarkable writers who ever lived.” Schulz was also a talented illustrator and graphic artist whose masochistic drawings would catch the eye of a sadistic Nazi officer. Schulz’s art became the currency in which he bought life. Drawing on extensive new reporting and archival research, Benjamin Balint chases the inventive murals Schulz painted on the walls of an SS villa—the last traces of his vanished world—into multiple dimensions of the artist’s life and afterlife. Sixty years after Schulz was murdered, those murals were miraculously rediscovered, only to be secretly smuggled by Israeli agents to Jerusalem. The ensuing international furor summoned broader perplexities, not just about who has the right to curate orphaned artworks and to construe their meanings, but about who can claim to stand guard over the legacy of Jews killed in the Nazi slaughter. By re-creating the artist’s milieu at a crossroads not just of Jewish and Polish culture but of art, sex, and violence, Bruno Schulz itself stands as an act of belated restitution, offering a kaleidoscopic portrait of a life with all its paradoxes and curtailed possibilities.Hardcover320 pagesW.W. Norton & Company, 20236.3 x 9.4 InchesISBN 9780393866575Biography

Bruno Schulz: An Artist, a Murder, and the Hijacking of History

By Rainer Maria RilkeForeword by Damion SearlsTranslated from the German by M.D. Herter NortonA gorgeous edition of one of the most beloved classics of the twentieth century, published in celebration of W. W. Norton’s 100th anniversary. This slim volume of letters from the poet and mystic, Rainer Maria Rilke, to a nineteen-year-old cadet and aspiring poet named Franz Xaver Kappus, has touched millions of readers since it was first published in English in 1934. The translator, Mary Dows Herter Norton—a polymath extraordinaire with expertise in music, literature, and science, and who, along with her husband, William Warder Norton, founded the company that bears his name—played a crucial role in elevating Rilke’s reputation in the English-speaking world. This Norton Centenary Edition commemorates Norton, known as “Polly” to friends and colleagues, and the 100th anniversary of the publishing company she co-founded. An admiring foreword by Damion Searls—himself a recent translator of Rilke’s Letters—celebrates Polly’s stylistic achievement, and an afterword by Norton’s President, Julia A. Reidhead, honors her commitment to maintaining W. W. Norton & Company’s independence. This handsome new edition of a beloved classic brings Rilke’s enduring wisdom about life, love, and art to a new generation, in the translation that first introduced him to the English-speaking world.Hardcover160 pagesW.W. Norton & Company, 20235.8 x 0.6 x 8.6ISBN 9781324050728Letters

Letters to a Young Poet (The Norton Centenary Edition)

By Jac Jemc“[An] audacious social satire. Comedic, tragic, and all around entertaining, Empty Theatre is a welcome addition to Jemc’s bibliography.”—Chicago Review of Books"Jac Jemc’s dreamscape of a novel weaves history and imagination into a wonder world. Empty Theater is an ingenious and totally absorbing gambol through beauty, decadence, and the bizarre absurdities of lives spent in the dizzying clouds of royalty and pomp. Jemc is a writer of enviable talent and soulful intelligence."—Samantha Hunt, author of The Dark DarkA wildly over-the-top social satire reimagining the mad misadventures of the iconic royal cousins King Ludwig and Empress Sisi, from the incomparable Jac Jemc.History knows them as King Ludwig II of Bavaria and Empress Elizabeth of Austria, icons of the late nineteenth century who died young and left behind magnificent portraits and palaces. But to each other they were Ludwig and Sisi, cousins who shared a passion for beauty and a stubborn refusal to submit to the roles imposed upon them.Ludwig, simultaneously spoiled and punished for his softness and "unmanly" interests, falls hard for the operas of Richard Wagner and neglects his state duties in the pursuit of art. Sisi, married at the age of sixteen to her beloved Franzl, bristles at the restrictions of her elevated position, the value placed on her beauty, and the simultaneous expectation that she ravage her body again and again in childbirth. Both absurdly vain, both traumatized by the demands of their roles, Sisi and Ludwig struggle against the ideals they are expected to embody, and resist through extravagance, petulance, performance, and frivolity.A tragicomic tour de force, Empty Theatre immerses readers in Ludwig and Sisi’s rarefied, ridiculous, restrictive world—where the aesthetics of excess belie the isolation of its inhabitants. With wit, pathos, and imagination, Jac Jemc takes us on an unforgettable journey through two extraordinary parallel lives and the complex, tenuous friendship that linked them.Hardcover464 pagesMCD, 20235.8 x 1.4 x 8.6 inchesISBN 9780374277925Satire, Literature

Empty Theatre: A Novel

By Ilya ZdanevichEdited by Sezgin BoynikTranslated by Pavels Smišlajevs and Michel ChevalierThe second volume of the bie bao series presents a eulogy entitled Iliazda at the Birthday Party, a pseudo-autobiographical lecture delivered by Ilya Zdanevich in Paris in 1922. It reports on Zdanevich's artistic and political adventures up until then. Along with an autobiography full of self-admiration, in this lecture Zdanevich gives an interpretation of his zaum dramas inspired by Freudianism, and humorously describes a colorful image of the Russian microcosm in Montparnasse.Additionally, this second volume also includes Iliazd's letter to Ardengo Soffici from 1964, where one can read, in the most unambiguous terms, about Zdanevich's positions against war, imperialism, and all forms of nationalism. Subtitled 50 Years of Russian Futurism, the letter to Soffici presents us with an altogether new Zdanevich—a "fellow traveller" in both leftist and avant-garde circles. As well as the extended introduction and extensive annotations, the texts are further contextualized with Johanna Drucker's visual presentation of the birth of the Iliazd cult. Paperback96 pagesRab-Rab Press, 20226.6 x 4.3 inchesISBN 9789526938998Autobiography

Iliazda at the Birthday Party: Autiobiographical Lecture, 1922

By Ferdinand BrucknerTranslated by Laurence SenelickTwo Plays of Weimar Germany offers new translations, by the renowned theater scholar and translator Laurence Senelick, of popular works by the playwright Ferdinand Bruckner: Youth Is a Sickness (Krankheit der Jugend) and Criminals (Die Verbrecher). Though his fame was later eclipsed by peers such as Bertolt Brecht, Bruckner was the celebrity dramatist of his time, and a new generation of readers is discovering his groundbreaking plays known for their strong cultural critique and unflinching portrayals of social ills, outcasts, and misfits. Youth Is a Sickness (1924) explores the lives of Germany's "lost generation," those who grew up during and after the cataclysm of the First World War, devoid of hope and ideals, lost in a haze of sex and drugs. Criminals (1926) traces several court cases about a failed double suicide, theft, abortion, and homosexual blackmail, controversial topics for the audience of its time and even today. Its innovative staging and interwoven storylines illuminate the imposed social tensions and legal injustice faced by the characters.In this expert translation, readers can see Bruckner as a public intellectual, a man committed to commenting on the fate of Germany; humane values; and the past, present, and future in his work. With an introduction by the translator, this volume will be the definitive version for readers, actors, playwrights, and scholars.Paperback296 pagesNorthwestern University Press, 20185 x 8 inchesISBN 9780810137721 Plays, Theatre

Two Plays of Weimar Germany: Youth is a Sickness and Criminals

By Lesley ChamberlainAn incisive and intimate account of the life and work of the great poet Rilke, exploring the rich interior world he created in his poetry.When Rilke died in 1926, his reputation as a great poet seemed secure. But as the tide of the critical avant-garde turned, he was increasingly dismissed as apolitical, as too inward. In Rilke: The Last Inward Man, acclaimed critic Lesley Chamberlain uses this charge as the starting point from which to explore the expansiveness of the inner world Rilke created in his poetry.Weaving together searching insights on Rilke’s life, work and reception, Chamberlain casts Rilke’s inwardness as a profound response to a world that seemed ever more lacking in spirituality. In works of dazzling imagination and rich imagery, Rilke sought to restore spirit to Western materialism, encouraging not narrow introversion but a heightened awareness of how to live with the world as it is, of how to retain a sense of transcendence within a world of collapsed spiritual certainty.Hardcover320 pagesPushkin Press5.7 x 0.96 x 8.8 inchesISBN 9781782277248Literature

Rilke: The Last Inward Man

By Ernst Jünger’sTraslated by Tess LewisSet in a world of its own, Ernst Jünger’s On the Marble Cliffs is both a mesmerizing work of fantasy and an allegory of the advent of fascism. The narrator of the book and his brother, Otho, live in an ancient house carved out of the great marble cliffs that overlook the Marina, a great and beautiful lake that is surrounded by a peaceable land of ancient cities and temples and flourishing vineyards. To the north of the cliffs are the grasslands of the Campagna, occupied by herders. North of that, the great forest begins. There the brutal Head Forester rules, abetted by the warrior bands of the Mauretanians.The brothers have seen all too much of war. Their youth was consumed in fighting. Now they have resolved to live quietly, studying botany, adding to their herbarium, consulting the books in their library, involving themselves in the timeless pursuit of knowledge. However, rumors of dark deeds begin to reach them in their sanctuary. Agents of the Head Forester are infiltrating the peaceful provinces he views with contempt, while peace itself, it seems, may only be a mask for heedlessness.Tess Lewis’s new translation of Jünger’s sinister fable of 1939 brings out all of this legendary book’s dark luster.Paperback144 pagesNYRB Classics, 2023Originally published 19395.01 x 0.44 x 7.96 inchesISBN 9781681376257Literature

On the Marble Cliffs

Original Price: $45.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Signed copies from translator Ross Benjamin are available. This book was featured as part of our Literatur Café series. By Franz Kafka Translated by Ross Benjamin “Essential . . . The new volume, in a sensitive and briskly idiomatic translation by Ross Benjamin, offers revelation upon revelation. It’s an invaluable addition to Kafka’s oeuvre.”—The New York Times “Franz Kafka’s inner life has always been a bit of a mystery. The expurgated diaries in their original German and English versions hinted at his complicated, often confused relationship to sex, politics, illness, and being Jewish. This readable new translation of the complete German version of the diary transforms the silent Kafka of a century ago into a Kafka not only of his times but of ours.”—Sander Gilman, author of Franz Kafka, The Jewish PatientAn essential new translation of the author’s complete, uncensored diaries—a revelation of the idiosyncrasies and rough edges of one of the twentieth century’s most influential writers.Dating from 1909 to 1923, the handwritten diaries contain various kinds of writing: accounts of daily events, reflections, observations, literary sketches, drafts of letters, accounts of dreams, as well as finished stories. This volume makes available for the first time in English a comprehensive reconstruction of the diary entries and provides substantial new content, including details, names, literary works, and passages of a sexual nature that were omitted from previous publications. By faithfully reproducing the diaries’ distinctive—and often surprisingly unpolished—writing in Kafka’s notebooks, translator Ross Benjamin brings to light not only the author’s use of the diaries for literary experimentation and private self-expression, but also their value as a work of art in themselves.Hardcover704 pagesSchocken, 20236.2 x 9.25 inchesISBN 9780805243550Literature, Kafka

The Diaries of Franz Kafka

By Thomas MannTranslated by Damion Searls "In this vigorous new version . . . Searls takes pains to bring Mann’s decades-old prose to life without anachronism or false breeziness . . . A well-chosen, confidently translated gathering of stories that casts new light on its author."―Kirkus Reviews, starred review"Searls infuses the prose of Nobel laureate Mann (1875–1955) with momentum and energy in this excellent collection. English-language readers will find the humor and digressive appeal of Mann’s prose enhanced... A well-chosen excerpt from the novel Confessions of a Con Artist, by Felix Krull exhibits a connection between the title character, a peripatetic young man, and Mann’s other protagonists: “What a royal gift the imagination is, and what pleasure it affords us!” Felix narrates. Throughout, the characters are linked by their unspeakable desires, and their inner worlds are just as significant as, and often more so than, their actions. Scholars as well as those new to Mann will find much to appreciate in Searls’s stimulating approach."―Publishers WeeklySparkling new translations highlight the humor and poignancy of Mann’s best stories―including his masterpiece, in its first English translation in nearly a century. A towering figure in the pantheon of twentieth-century literature, Thomas Mann has often been perceived as a dry and forbidding writer―“the starched collar,” as Bertolt Brecht once called him. But in fact, his fiction is lively, humane, sometimes hilarious. In these fresh renderings of his best short work, award-winning translator Damion Searls casts new light on this underappreciated aspect of Mann’s genius.The headliner of this volume, “Chaotic World and Childhood Sorrow” (in its first new translation since 1936)―a subtle masterpiece that reveals the profound emotional significance of everyday life―is Mann’s tender but sharp-eyed portrait of the “Bigs” and “Littles” of the bourgeois Cornelius family as they adjust to straitened circumstances in hyperinflationary Weimar Germany. Here, too, is a free-standing excerpt from Mann’s first novel, Buddenbrooks―a sensation when it was first published. “Death in Venice” (also included in this volume) is Mann’s most famous story, but less well known is that he intended it to be a diptych with another, comic story―included here as “Confessions of a Con Artist, by Felix Krull.” “Louisey”―a tale of sexual humiliation that gives a first glimpse of Mann’s lifelong ambivalence about the power of art―rounds out this revelatory, transformative collection. black-and-white frontispiece. Hardcover272 pagesLiveright, 20236.3 x 1 x 9.4 inchesISBN 9781631498480 Short Stories, Literature

Thomas Mann: New Selected Stories

By Thomas MannTranslated by John E. WoodsA classic of modern literature: Buddenbrooks is the story of four generations of a wealthy bourgeois family in northern Germany facing the advent of modernity; in an uncertain new world, the family’s bonds and traditions begin to disintegrate. With an introduction by T. J. Reed.As Mann charts the Buddenbrooks’ decline from prosperity to bankruptcy, from moral and psychic soundness to sickly piety, artistic decadence, and madness, he ushers the reader into a world of stunning vitality, pieced together from births and funerals, weddings and divorces, recipes, gossip, and earthy humor.First published in Germany in 1901, when Mann was only twenty-six, Buddenbrooks surpasses all other modern family chronicles in its immensity of scope, richness of detail, and fullness of humanity. With remarkable fidelity to the original German text, this superb translation emphasizes the magnificent scale of Mann’s achievement in this riveting, tragic novel.Hardcover776 pagesEveryman's Library, 1994Originally published in 19015.34 x 8.34 inchesISBN 978-0679417378Literature

Buddenbrooks

By Irmgard KeunTranslated by Michael Hofmann The last novel from the acclaimed author of The Artificial Silk Girl, this 1950 classic paints a delightfully shrewd portrait of postwar German society. Upon his release from a prisoner-of-war camp, Ferdinand Timpe returns somewhat uneasily to civilian life in Cologne. Having survived against the odds, he is now faced with a very different sort of dilemma: How to get rid of his fiancée? Although he certainly doesn’t love the mild-mannered Luise, Ferdinand is too considerate to break off the engagement himself, so he sets about finding her a suitable replacement husband—no easy task given Luise’s high standards and those of her father, formerly a proud middle-ranking Nazi official.Featuring a lively cast of characters—from Ferdinand’s unscrupulous landlady with her black-market schemes to his beguiling cousin Johanna and the many loves of her life—Ferdinand captures a distinct moment in Germany’s history, when its people were coming to terms with World War II and searching for a way forward. In Irmgard Keun’s effervescent prose, the story feels remarkably modern.Paperback256 pagesOther Press, 20205.24 x 0.68 x 7.96 inchesISBN 9781635420357Literature

Ferdinand, The Man with the Kind Heart: A Novel

By Fred UhlmanA deceptively simple, emotionally powerful novella about a passionate friendship between two teenage boys that begins in Germany in 1932—under the shadow of Hitler's rise—and reverberates across the decades. A Contemporary Classics hardcover edition.The romantic forested landscape of southwestern Germany in 1932 is the setting for the birth of a friendship that will haunt sixteen-year-old Hans Schwarz for the rest of his life. Hans is Jewish, the son of a middle-class doctor who is confident that the rise of the Nazis is only "a temporary illness" afflicting his beloved country.Hans's newest classmate, Count Konradin von Hohenfels, is a dazzling young aristocrat whose glamorous mother keeps a portrait of Hitler on her dresser. Hans is immediately drawn to Konradin, and thrilled when a close bond forms between the two boys, forged by common interests that set them apart from their classmates. But their loyalties are soon tested in ways they could not have imagined.Three decades later, from the vantage point of New York City, Hans once again confronts this life-shaping episode from his childhood, through a stunning revelation that he stumbles upon by chance. In its story of simple friendship undone by not-so-simple times, Reunion combines the explosive compression of a fable with the emotional depth of an epic novel many times its length.Hardcover 120 pages Everyman's Library, 2022Originally published in 19715.2 x 0.48 x 8.33 inchesISBN 9780593535622Literary Fiction

Reunion

By Marlen HaushoferTranslated from the German by Shaun Whiteside"The Wall is a dystopian novel that gradually becomes a utopian one, as our narrator makes a new community. Haushofer’s inhabiting of animality is remarkably tender and selfles....Strange and wondrous."—James Wood, The New Yorker "What is the wall? An allusion to the Cold War? An allegory for the Berlin Wall? Yes. But it also serves as a metaphorical stand-in for so many restrictions. It creates a situation that allows the main character and the reader to examine our ontology and what we think makes us real."—Kirkus, starred review"An extraordinarily interesting writer, always underappreciated."—Elfriede JelinekWhile vacationing in a hunting lodge in the Austrian mountains, a middle-aged woman awakens one morning to find herself separated from the rest of the world by an invisible wall. With a cat, a dog, and a cow as her sole companions, she learns how to survive and cope with her loneliness.Allegorical yet deeply personal and absorbing, The Wall is at once a critique of modern civilization, a nuanced and loving portrait of a relationship between a woman and her animals, a thrilling survival story, a Cold War-era dystopian adventure, and a truly singular feminist classic.Paperback239 pagesNew Directions, 2022Originally published in 19685.3 x 0.7 x 8.1 inchesISBN 9780811231947Fiction

The Wall

By Alexander Lernet-HoleniaTranslated by Richard and Clara WinstonForeword by Patti Smith"Fog-of-war tales are always abundant, but this one conjures a unique spell. An unsettling tale of war trauma, cleanly and uniquely told."—Kirkus Reviews "Brilliant, extra stylish, excellently written and fearsomely gripping."—The London TimesA novel of love and valor, war and stupidity, life and death (as well as what may lay beyond our mortal coils), Baron Bagge concerns a young Austrian cavalry lieutenant in the Carpathian mountains at the beginning of WWI. The baron leads a desperate charge across a bridge to meet the Russian forces, following the orders of his mentally unstable commander:“We were soon to have proof of his unreliability… But perhaps it is not right to place the blame on him. Perhaps his foolishness was merely the instrument of fate, and the disaster into which he led his squadron, the slaughter of so many men and horses, took place in order that something which could no longer happen within the realm of the living—because it was too late—could happen after life.” And, swaying in a kind of fugue, the baron wanders off the bridge into unknown realms, where—mesmerized by Lernet-Holenia’s phosphorescent style—the reader joins his waking dream.Paperback75 pages New Directions, 2022Originally published in 19365.1 x 7.8 x 0.5 inches ISBN 9780811234450Fiction, Novella

Baron Bagge

By Kirsty Bell“With sleuthing interest and novelistic flair, Kirsty Bell’s The Undercurrents has ruptured familiar terrain…an associative thesis on the dangers of repression, from gargantuan acts of genocide to the comparatively subtle shames of familial collapse…An enchanting and sometimes disturbing symbolism runs through The Undercurrents, as Bell imaginatively weaves the city’s hard factuality with the emotional and physical experience of living in it.”—frieze“From the first moment I heard Kirsty Bell read from her writing, I have yearned for the book she was then working on. And now here it is, perfect and perfectly balanced, a clear-eyed and beautifully written account about place, about consciousness. I treasure The Undercurrents, and so will you.”—Hilton Als, author of White Girls The Undercurrents is a dazzling work of biography, memoir, and cultural criticism told from a precise vantage point: a stately nineteenth-century house on Berlin’s Landwehr Canal, a site at the center of great historical changes, but also smaller domestic ones. The view from this house offers a ringside seat onto the city’s theater of action. The building has stood on the banks of the canal since 1869, its feet in the West but looking East, right into the heart of a metropolis in the making, on a terrain inscribed indelibly with trauma. When her marriage breaks down, Kirsty Bell—a British-American art critic, adrift in her mid-forties—becomes fixated on the history of her building and of her adoptive city. Taking the view from her apartment window as her starting point, she turns to the lives of the house’s various inhabitants, to accounts penned by Walter Benjamin, Rosa Luxemburg, and Gabriele Tergit, and to the female protagonists in the works of Theodor Fontane, Irmgard Keun, and Rainer Werner Fassbinder. A new cultural topography of Berlin emerges, one which taps into energetic undercurrents to recover untold or forgotten stories beneath the city’s familiar narratives.Paperback400 pagesOther Press, 20225.26 x 1.05 x 7.97 inchesISBN 9781635423440Literature, Memoir

The Undercurrents: A Story of Berlin

By Brothers GrimmIllustrated by Pascale Monnin, Franketienne and Edouard Duval-CarrieTranslated by Peter WortsmanThis new edition of the beloved tales of the Brothers Grimm—selected, translated and edited by Peter Wortsman—is drawn from the 1857 edition of the German original, the last edition reviewed and approved by the Brothers in their lifetime. Over the years, the Brothers’ enigmatic narratives have been sanitized by Disney and children’s book editors for modern consumption; this indispensable edition restores their sting and vigor to the original prose. In Wortsman’s words, his translation is a return to “a tincture of concentrated man-eating ogre and ground hag tooth, diluted in blood, sweat and tears, as a potent vaccine against the crippling effects of fear and fury.” These fortifying imaginative vaccines are accompanied by twenty-four full-color illustrations by Haitian artists, including Edouard Duval-Carrié, Pascale Monnin, and Frankétienne. Edwidge Danticat observes that many Haitian painters bring “forth another canvas beneath the one we see.” These works’ imaginative scope, vitality, and evocation of the unconscious open deep channels between the two traditions, shedding new light and shadow on the classic tales.Paperback280 pagesArchipelago, 2013Orginally published in 18576.5 x 8 inchesISBN 9781935744764Fairy Tales

Selected Tales of the Brothers Grimm

By Heinrich HeineTranslated by Peter Wortsman"Heine possesses that divine malice without which I cannot imagine perfection . . . And how he employs German! It will one day be said that Heine and I have been by far the first artists of the German language."—Friedrich NietzscheHeinrich Heine (1797–1856), one of Germany’s most revered poets, is equally well-known for his idiosyncratic prose, the vibrant voice of which feels astonishingly modern in its familiar tone and thematic acrobatics. Travel Pictures comprises the accounts of four journeys taken at different times in his life. The opening “Harz Journey,” a quirky chronicle of his walking tour in the Harz Mountains, is the text that first made him famous. But in all four accounts, Heine, seasoned by the skepticism of a born outsider, does more than climb mountains, ford streams and cross borders. In this remarkable book, Heine propels German letters into the Modern mindset. Freud cites a few of Travel Pictures’ most humorous passages in "Jokes and Their Relation to the Unconscious." Heine’s incomparable lyric vision lifts the book into the transcendent realm of great journey literature. Paperback233 pagesArchipelago, 2008Originally published in 18266.5 x 0.63 x 7.91 inchesISBN 9780979333033 Travel Writing, German Romanticism

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