NG Curated Collections

Judy Geib for Neue NOWArt Nouveau Girandole Earrings18 karat gold with amethyst, moonstone, and peridot18 karat gold French hookLength from top of ear wire 2 in., approximate This item is eligible for a maximum Member's discount of 10%.

Judy Geib Earrings

An opulent fusion of sensuality, symbolism, and artistic ingenuity, this magnificent boxed-set features stunning color reproductions of Klimt’s essential works in an accordion-fold format accompanied by a separate booklet with background and descriptions of each painting. Gustav Klimt’s luminous paintings are particularly suited for an accordion-fold presentation. As each painting unfolds into a lavish reproduction, Klimt’s dazzling colors and intricate patterns spring to life. This volume includes several highlights of Klimt’s works including The Kiss, his portraits of Adele Bloch-Bauer, The Tree of Life, Danae, and Death and Life. The stunning reproductions allow readers to experience close up Klimt’s intricate details and artful use of gold leaf; his art’s symbolism and emotional power; his decorative aesthetic, and beguiling landscapes. A separate booklet with explanatory captions providing additional background and historic context accompanies the main volume. Klimt’s many fans will cherish this fresh, unique, extraordinary celebration of the artist’s timeless brilliance and monumental talent.Hardcover240 pages | 192 color illustrationsPrestel, 202418,5 x 26,0 cm, 7.3 x 10.2ISBN 9783791377223Monograph, Reproductions

Klimt: The Essential Paintings

Produced by Katie Mawson100% hand-loomed lambswoolBeige with pink stripe accentFingerless Glove L. 9¼ in.Scarf 15 x 83 in.

Otto Woolens

Judy Geib for Neue NOWKaleidoscope Pendant BroochSapphires, peridots, amethyst, moonstone, rose quartz, emerald, tanzaniteSet with 18 karat gold and sterling silverMay be worn as a pendant or brooch2¾ inch diameter, approximate This item is eligible for a maximum Member's discount of 10%.

Kaleidoscope Pendant Brooch

By Alexander KleeEdited by Stella Rollig “With the deaths of Klimt, Schiele, Otto Wagner and Kolomon Moser, it has been thought that their creative energy came to a halt or mutated into other areas, such as the Bauhaus. This book charts a new trajectory in the art and artists of the successor states of the Empire entre deux guerres . . . . Much of this has not been explored except by specialists and this book will serve to alert a wider audience to the considerable riches of the Secession's afterlife.” ―The Art Newspaper The year 1918 marked the end of a golden era in central European art. It was the year that Gustav Klimt, Egon Schiele, Koloman Moser, and Otto Wagner died. Artistic activity, however, had already begun to move away from the highly decorative style of the Viennese Secession. Hardly affected by the political disruptions taking place, artists in the countries of the former Austro-Hungarian monarchy were busily productive in the years between the world wars, driven by a desire for a new start.This volume examines the fascinating, artistically fruitful epoch between the wars, when cosmopolitan networks of painters, architects, and sculptors transcended political and ideological borders. A lively artistic exchange took place—primarily through international magazines disseminating new styles and techniques—that stimulated constructivist, expressionist, and surrealist modes of art making in the former lands of the Austro-Hungarian monarchy. Richly illustrated throughout and including an introduction on the dissolution of the Austrian monarchy, this luxuriously produced volume is a must-have for lovers of modernist art. Hardcover374 pagesHirmer, 20189.2 x 1.5 x 11.2 inchesISBN 9783777430591European Art, Art History

Beyond Klimt: New Horizons in Central Europe

Katie Mawson for Neue NOW100% lambswool, hand-loomed and feltedFingerless Glove L. 9 ¼ in.Scarf W. 19 x L. 83 in. Inspired by Paul Klee's 1923 Auf der Wiese / On the Lawn

Wiese Woolens

Judy Geib for Neue NOWKaleidoscope EarringsColombian emeraldsSet with 18 karat gold and sterling silver1.2 inch diameter, approximate This item is eligible for a maximum Member's discount of 10%.

Kaleidoscope Earrings

Katie Mawson for Neue NOW100% lambswool, hand-loomed and feltedFingerless Glove L. 9 ¼ in.Beret (one size)Scarf W. 19 x L. 83 in. Inspired by the small German fishing village of Dangast as depicted in Karl Schmidt Rottluff's 1910 Landschaft mit Haus und Bäumen / Landscape with House and Trees

Dangast Woolens

Collectible Bohemian glass beads are hand-crocheted to form a sinuous rope necklace. This item is eligible for a maximum Member's discount of 10%.

Bohemian Glass Bead Lariat Necklace

Produced by BusattiExterior: 60% linen / 40% cottonInterior: 100% cotton terrycloth28 x 72 in. Available with red or blue cabana-stripe

Abbazia Roll-up Towel

Hans Harald RathDesigned 1952Produced by J. & L. LobmeyrBlown, hand-polished muslin crystalAvailable in blue, citron, crystal, and pale emeraldH. 8¼ x D. 3½ in.

Alpha Pitcher

Dagobert Peche Designed 1919Produced by First Edition Gold-plated sterling silver and mother-of-pearl2 x 2 in. This item is eligible for a maximum Member's discount of 10%.

Dagobert Peche Fantasy Brooch

Inspired by a 1907 Wiener Werkstätte postcard design by Leopoldine Kolbe Produced by TroveloreHand-embroidered cotton, felt, metal, sequins, glass beads, with security lock L. 2½ in. approximate This item is eligible for a maximum Member's discount of 10%.

Daisy Brooch

A classic palate of 12 wool-blend darning yarns from the finest French thread mill, Laine Saint-Pierre. Six darning needles and a pinewood darning egg complete a time-honored collection to restore woolens and knitwear.

Darn It

Eva Zeisel Designed ca. 1954 Hand-painted porcelain pitcher with fitted coverAvailable in lacquer red, pure white, and ink blue H. 8 x D. 3 in.

Eva Zeisel Porcelain Icebox Pitcher

Produced by Munnu, The Gem Palace Tourmaline set in 22k gold Clip with Post Width 1 1⁄4 in., approximate The Gem Palace of Jaipur, India, has served as jeweler to the court of the Mughal emperors for more than eight generations. These jewels are created by master goldsmiths using traditional methods in the art of stone-cutting. This item is eligible for a maximum Member's discount of 10%.

Gem Palace Flower Earrings

Produced by Munnu, The Gem PalacePeridot and 22 karat goldL. 21.5 in. (approximate) The Gem Palace of Jaipur, India, has served as jeweler to the court of the Mughal emperors for more than eight generations. These jewels are created by master goldsmiths using traditional methods in the art of stone-cutting. This item is eligible for a maximum Member's discount of 10%.

Gem Palace Peridot Link Necklace

Lingua Franca for Neue NOW100% pure cashmere, sustainably-sourced and hand-embroidered in New York CityCream with mauve embroideryFits 18-24 months Hand wash cold with mild detergent or dry clean.

Gesamtkunstwerk Baby Sweater

Inspired by the artwork of Paula Modersohn-BeckerAntique Venetian glass beads hand-crocheted around 33 individual wooden spheres Length 19 in., approximate PAULA MODERSOHN-BECKERYoung Girl with Yellow Flowers in a Glass, 1902 This item is eligible for a maximum Member's discount of 10%.

Glass Bead Necklace

An essential sewing kit comprised of a pair of 24 karat gold-plated scissors, a 24 karat gold-plated thimble, a spool of golden thread, and a golden-eyed needle.

Golden Thread of Life

Three hand-crafted glass bead bracelets, inspired by Gustav Klimt's sensuous portrait Adele Bloch-Bauer I (1907) This item is eligible for a maximum Member's discount of 10%.

Golden Trio Bracelet Set

The use of unexpected and delightfully juxtaposed materials is a trademark of artist Grainne Morton's work. In this series, Morton suspends delicately balanced gemstones from antique glass doll eyes, all set in gold-plated silver. Each pair is handmade in Edinburgh, Scotland, and one of a kind. Please choose from dark blue and gray eyes. This item is eligible for a maximum Member's discount of 10%.

Grainne Morton Amulet Earrings

Gustav Marisch (1871-1961)Stylized Flowers, 1912Wiener Werkstätte Postcard 7821 notecard and envelope5.75 x 8.75 inches

Gustav Marisch: Stylized Flowers, 1912 [Large Single Card]

Josef Hoffmann Adler pattern Designed 1910 for the Wiener Werkstätte100% khadi cotton, block-printed by handAvailable in Aegean Blue and Venetian Red L. 55 in.

Hoffmann Adler Kaftan

Josef Hoffmann Designed ca. 1906 for Gustav Klimt Produced by First Edition Sterling silver with blue opal, green agate, red agate, lapis lazuli, or tiger's eye This item is eligible for a maximum Member's discount of 10%.

Hoffmann Cufflinks for Gustav Klimt

Josef HoffmannDesigned 1910Gold-plated sterling silver with snow white vitreous enamelMay be worn as either brooch or pendant1 1/4 x 1 in. This item is eligible for a maximum Member's discount of 10%.

Hoffmann Oval Pendant Brooch

Produced by Alicia Adams Alpaca70% pure baby alpaca, 30% silk35½ x 83 in.Juniper/Moss

Innsbruck Wrap

Produced by Jennifer ShortoHand-loomed in Kashmir, India 100% pure Himalayan cashmere55 x 79 in. Each shawl is unique, handwoven in Kashmir, India, of the finest, 100% cashmere. This ancient weaving technique harks back to 15th century Persia, with the weaver's initials hand stitched along the edge. The modern Shorto design unites artisanal craftsmanship with pure luxury.

Jennifer Shorto Bregenz Shawl

Jessica Kagan Cushman for Neue NOW Designed 2011Inspired by Gustav Klimt’s 1907 Adele Bloch-Bauer I 18 karat gold, oxidized sterling silver, rose-cut diamonds, yellow sapphires, and black onyx18 in. oxidized sterling silver bead chain This item is eligible for a maximum Member's discount of 10%.

Jessica Kagan Cushman Klimt Egyptian Eye Pendant Brooch

Between the years 1911 and 1918, Gustav Klimt kept a studio at Feldmühlgasse 11 in Vienna. Here, surrounded by an overgrown orchard full of apple trees and fragrant damask roses, Klimt worked on more than 50 paintings, including Adele Bloch-Bauer II. Only one of these rose bushes has survived till today, and after more than a hundred years it still flowers every year. In 2020 the scent surrounding the living rosebush (headspace scent) was captured by the FRAGRANTARIUM. Coincidentally its headspace scent contains aroma molecules that are normally found in apples and wild flowers just as depicted in Klimt’s Orchard With Roses. Top Notes: Freshly Cut Grass, Lemon, Golden Apples|Mid Notes: Damask Rose Oil, Honey, Pink PepperBase Notes: Wild Rose, Violet, Sandalwood 30ml / Hand filled in Austria. GUSTAV KLIMT, Orchard With Roses, 1912

Klimt's Rose Eau De Toilette

By Franz KafkaTranslated by Ernst Kaiser and Eithne Wilkins“This is the closest we have to Kafka’s memoirs, a story of mutual misunderstanding and alienation, charted in a series of evocatively sketched scenes . . . For all its power of psychological analysis, the tone is rarely self-pitying but almost forensically detached . . . The fact that Kafka nearly always gives his father the benefit of the doubt makes his accusations all the more devastating.”—Carolin Duttlinger, The Times Literary Supplement“Kafka’s principal attempt at self-clarification is also one of the great confessions of literature.”—F. W. Dupee, The New York Times Book ReviewFranz Kafka wrote this letter to his father, Hermann Kafka, in November 1919. Max Brod, Kafka's literary executor, relates that Kafka actually gave the letter to his mother to hand to his father, hoping it might renew a relationship that had lost itself in tension and frustration on both sides. But Kafka's probing of the deep flaw in their relationship spared neither his father nor himself. He could not help seeing the failure of communication between father and son as another moment in the larger existential predicament depicted in so much of his work. Probably realizing the futility of her son's gesture, Julie Kafka did not deliver the letter but instead returned it to its author.Paperback121 pagesText in English and GermanSchocken Books, 2015Originally published in 19525.2 x 0.4 x 8 inches ISBN 9780805212662Letters and Correspondence, Biography

Letter to the Father

By Franz KafkaEdited by Erich Heller and Jurgen BornTranslated by James Stern and Elisabeth Duckworth “Some of the most heartrending ‘love letters’ ever written.”—Morris Dickstein, The New York Times Book Review“Kafka’s correspondence with Felice has all the earmarks of his fiction—the same nervous attention to minute particulars, the same paranoid awareness of shifting balances of power, the same atmosphere of emotional suffocation—combined, surprisingly enough, with moments of boyish ardor and delight. Taken together, Elias Canetti observes, the letters provide an index of the emotional events that would inspire The Trial—a novel, Canetti argues, in which Kafka’s engagement to Felice is reimagined as the mysterious and menacing arrest of the hero.”—Michiko Kakutani, The New York Times Franz Kafka met Felice Bauer in August 1912, at the home of his friend Max Brod. Energetic, down-to-earth, and life-affirming, the twenty-five-year-old secretary was everything Kafka was not, and he was instantly smitten. Because he was living in Prague and she in Berlin, his courtship was largely an epistolary one—passionate, self-deprecating, and anxious letters sent almost daily, sometimes even two or three times a day. But soon after their engagement was announced in 1914, Kafka began to worry that marriage would interfere with his writing and his need for solitude.The more than five hundred letters Kafka wrote to Felice—through their breakup, a second engagement in 1917, and their final parting in the fall of that year, when Kafka began to feel the effects of the tuberculosis that would eventually claim his life—reveal the full measure of his inner turmoil as he tried, in vain, to balance his desire for human connection with what he felt were the solitary demands of his craft. Paperback624 pagesSchocken, 20166.1 x 1.3 x 9.2 inchesISBN 9780805208511Letters, Correspondence

Letters to Felice

Lana T Flower StudsMarie-Hélène de Taillac for Neue NOWAmethysts nestled amongst a halo of glistening pink sapphire petals22 karat goldD. 2.1 in. This item is eligible for a maximum Member's discount of 10%.

Marie-Hélène de Taillac Earrings

Traditional Yosegi marquetry from Hakone, JapanHand-crafted from white ash, maple, magnolia, ginkgo, walnut, and cherry woodSatin finish Large L. 9½ x H. 4¼ x W. 6 in.Small L. 6 x H. 2¾ x W. 3¾ in. SOLD OUT

Mosaic Boxes

Daisy HandbagSophie Digard for Neue NOW100% natural raffia fiber, hand-dyed and crocheted by artisans in Madagascar.Features include braided handles, woven raffia tie-closure and one interior pocket.W. 14 x H. 20 in., approximate, with 3 1⁄2 in. bottom gusset Textile artist and fashion designer Sophie Digard is inspired by the natural world. From her studio in Paris she designs chic accessories made with entirely organic materials, which are selected for their beauty and environmental sustainability. Digard's technique of combining differently colored fibers into a single thread allows her to create a natural yet sophisticated color palette all her own. Hand-dyed and crocheted in her workshop on the Indian Ocean, every handbag is a work of art.

Neue Raffia Collection

Woven HandbagSophie Digard for Neue NOW100% natural raffia fiber, hand-dyed and crocheted by artisans in Madagascar.Features include braided handles, woven raffia tie-closure and one interior pocket.W. 10 x H. 23 in., D. 5 in. Textile artist and fashion designer Sophie Digard is inspired by the natural world. From her studio in Paris she designs chic accessories made with entirely organic materials, which are selected for their beauty and environmental sustainability. Digard's technique of combining differently colored fibers into a single thread allows her to create a natural yet sophisticated color palette all her own. Hand-dyed and crocheted in her workshop on the Indian Ocean, every handbag is a work of art.

Elegant Passementerie braid-work was often seen at the royal courts of Habsburg Vienna, adorning both ladies’ high-fashion and the dress uniforms of the imperial military.Austrian-born designer Sophie Aschauer channels this tradition with inspired and original accessories created from repurposed ship's ropes. Her intricate patterns are created using the centuries-old sailors' knots she learned as she gained experience sailing off Nantucket.These elegant, handwoven bracelets and key rings create a link between old-world decorative arts and the seafaring heritage of New England. Available in cerise red, ivory, and midnight blue.Length 8 in. (approximate)Width 1 1/2 in.

Passementerie Bracelet

Inspired by a 1912 Wiener Werkstätte postcard design by Gustav MarischProduced by TroveloreHand-embroidered cotton, felt, metal, sequins, glass beads, with security lock L. 3½ in. approximate This item is eligible for a maximum Member's discount of 10%.

Rose Brooch

Selima Optique for Neue NOW Inspired by the enduring mystique of German silver screen legend Marlene DietrichHand-made and polished celluloid frame UV400 protective, shatterproof lensesAvailable in burgundy or tortoise

Selima Optique Blue Angel Sunshades

Produced by Alicia Adams Alpaca70% pure baby alpaca, 30% silk35½ x 83 in.Woodrose/Gray

St. Anton Wrap

Produced by SteiffHandmade from a luxuriously soft fabric with stitched nose and mouth, embroidered eyes, and the world-famous “Knopf im Ohr” brass-plated ear-button that is the instantly recognizable trademark of the company. Length 8 in. Machine washable at 86°F on gentle cycle.

Steiff Floppy Lamb

Hand-made and painted terracotta with a food-safe, traditional tin glaze. For dining and table decoration. Use also as wall decoration—the back of every plate features a small hole for a hanging wire. Small: D. 8¾ in. $80Large: D. 11½ in. $98

Styria Dinnerware

Edited by Régine Bonnefoit and Marie-Eve Celio-Scheurer Viennese Textiles from the Cotsen Textile Traces Study Collection This book presents new research and archival findings on the textile and fashion designs of the Wiener Werkstätte movement (1903–1932). Textile specialists, art and design historians offer insights into the most important collections and archives in Austria, Switzerland, and the US.The publication explores works by lesser-known female textile artists; the influence of Eastern European folk art, Japanese patterns, and ornamentation textbooks on textile designs; applications in fashion, interior design, film, theater; and marketing strategies used to enter new markets in the US.It includes numerous illustrations of textile samples, many drawn from the Cotsen Textile Traces Study Collection (George Washington University Museum / Textile Museum), one of the largest collections of Wiener Werkstätte fabrics in the US.Hardcover208 pages | 56 color and 27 black-and-white illustrationsBirkhäuser, 20236.8 x 9.5 inchesISBN 9783035627640Textiles, Applied Arts

Tracing Wiener Werkstätte Textiles

By Hermann HesseTranslated from the German by Damion Searls“One of humanity’s most beautiful love letters to trees.” ―The Marginalian “Nature frequently brings out our deepest thoughts, but few can express those thoughts better than Hermann Hesse does in this anthology.” —New York Journal of Books An elegant collection of Hermann Hesse’s essays, poems, and passages on the subject of trees and nature, accompanied by thirty-one of his watercolor illustrations. Hermann Hesse understood trees to be symbols of transcendence and rebirth, of instinctive growth present in all natural life. This elegant collection of his essays, poems, and passages on trees, accompanied by thirty-one of his watercolor illustrations, reveals his inspired thoughts on nature, spirituality, and self-knowledge. Together, his writings and paintings mirror the seasons and landscapes as he experienced them, and help remind us that trees’ annual rings are representations of our own days’ struggle, happiness, and purpose.In the author’s words: “They struggle with all the force of their lives for one thing only: to fulfill themselves according to their own laws . . . Whoever has learned to listen to trees no longer wants to be one. He wants to be nothing except who he is.”Hardcover 136 pages | 31 full-color watercolors from Hermann HesseKales Press, 20225.3 x 0.7 x 7.4 inchesISBN 9781737832713 Anthology, Nature Writing

Trees: An Anthology of Writings and Paintings

Inspired by the Wiener WerkstätteProduced by Busatti60% linen, 40% cotton69 x 69 in.

Vienna 1900 Tablecloth

The Neue Galerie New York proudly announces our exclusive collaboration with Rachelle Hruska, founder of Lingua Franca, a New York City based fashion brand producing fair trade, luxury cashmere sweaters with a messageWOMAN IN GOLD CASHMERE SWEATERLingua Franca for Neue NOW, in honor of Adele Bloch-Bauer and her iconic 1907 portrait by Gustav Klimt100% pure cashmere, sustainably-sourced and hand-stitched in New York City / Black with metallic gold hand-embroidery Extra Small, Small or Medium: Extra Small: body length 22¾", sleeve length 22½", bust 36", waist 34" Small: SOLD OUT Medium: SOLD OUT

Woman in Gold Cashmere Sweater

Josef HoffmannDesigned 1902Produced by Wiener Silber Manufactur94% pure silver, 12 oz. Tarnish resistantL. 9 x W. 2¼ in. This item is eligible for a maximum Member's discount of 10%.

Hoffmann No. 135 Salad Set

By Veena Duncker, Lynn Springer Roberts, Reinhard Sanger, Eric Turner, and Mienke Simon Thomas. Original Price: $55.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Silver has been a cherished heirloom and gift for centuries. Historians claim that by 3100 B.C. ambassadors to the Egyptian king from Crete brought silver vases as gifts. Today, sterling silver is a favorite medium for creative and innovative designers because of its malleability. The mystical white metal has marked historical milestones throughout the ages, served as a medium of exchange and become an essential metal in today's world of high-tech consumer goods. Part of silver's intrigue is found in its versatility. Its unique properties include beauty, strength, sensitivity to light, malleability and ductility, electrical and thermal conductivity, reflectivity and the ability to endure extreme temperature changes. These properties allow scientists and engineers around the world to undertake groundbreaking research that changes the way we live. This generously illustrated volume presents almost 200 beautiful and rare pieces of utilitarian silver from the Art Nouveau and Art Deco period, selected from a private silver collection. It brings together objects by various renowned silversmiths, including Christopher Dresser, Charles Robert Ashbee, Omar Ramsden and Alwin Carr, and Edward Spencer, Henry Wilson and Paul Cooper. American silversmiths include the Kalo Shop, the International Silver Company of Meriden, The Gorham Manufacturing Company and Howard Crisp. The color photographs of the objects are accompanied by extensive captions, monograms and hallmarks, providing substantial new information. In addition, A Personal Touch includes essays by silver specialists: Eric Turner, of the Victoria & Albert Museum in London, examines reforms in the work of English silversmiths and describes the pieces in this collection that illustrate these developments. Lynn Springer Roberts, former curator at The Art Institute of Chicago, writes about American silverware from the early 20th century, and Reinhard Sanger, of the Badisches Landesmuseum in Karlsruhe, focuses on continental silver, paying special attention to beautifully decorated cutlery. Please note that Rare/Out-of-Print titles are very limited in stock. Hardcover263 pagesNAi Publishers/Museum Boijmans Van Beuningen, 2003 12.9 x 9.7 x 1 inchesISBN 9789056623128Metalwork

A Personal Touch: Late 19th and 20th Century Silver From The Seawolf Collection

Otto Prutscher Designed ca. 1930Produced by Wiener Silber ManufacturSterling silver, lapis lazuliH. 5 x D. 6 in. This item is eligible for a maximum Member's discount of 10%.

Prutscher Pure Silver Umbrella Dish

Egon Schiele (1890-1918)Stein on the Danube, Seen from the South (Large), 19131 notecard and envelope4 ¼ x 6 inches

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